Der Rosenkavalier (on Blu-ray and DVD) is from the Met HD broadcast which also happened to be the final performance of the run, becoming a true souvenir of the farewells of its two leading ladies.
“Trove Thursday” celebrates with Carlos Kleiber conducting Johann Strauss, Jr.’s Die Fledermaus.
“Trove Thursday” presents an all-star five-act Don Carlo from forty years ago tonight.
Another five-Thursday month invites “Trove Thursday” to offer a combo of shorter works.
Just because one can write an opera based on a film, does this necessarily indicate that one should?
I was extraordinarily happy Monday evening to encounter Angel Blue and Russell Thomas as Mimi and Rodolfo.
Bard College presented a semi-staged concert of Halka on Saturday evening as part of its impressively wide-ranging two-week “Chopin and his World” festival.
The principal cast members for the week’s Aida are all Wagnerians: Birgit Nilsson, Sándor Kónya, Rita Gorr and Cornell MacNeil.
I wish to introduce our younger Parterrians to the magical Martha Mödl to commemorate the opening of the Bayreuther Festspiele which opens tomorrow afternoon.
Now it’s time to grab Albert Einstein for a lengthy swim.
“Trove Thursday” provides a live broadcast of Mozart’s rarely performed cantata Davide Penitente by Les Arts Florissants conducted by William Christie.
A live broadcast of the prologue to Ariadne auf Naxos featuring Julia Varady, a favorite sopranos in a role she sang only rarely.
I finally get to complete my personal operatic Top Ten this week with Igor Stravinsky’s only full-length opera, The Rake’s Progress.
The glorious and beloved Elisabeth Söderström tackles the fiendishly difficult role of Christine in a 1974 performance from Glyndebourne.
An outstanding performance of Weber’s Euryanthe to share on “Trove Thursday.”
A live Un Ballo in Maschera featuring Jon Vickers, Amy Shuard, Lucia Popp, Shirley Verrett and Peter Glossop.
Due to a small hiccup in scheduling at Casa della Cieca, this week you get two uploads!
If everything you see is great, you are either new to opera or chronically easy to please.
“Did you ever have the feeling that you wanted to go, and then you had the feeling that you wanted to stay?” This soul-searching question is likely running through the mind of Renée Fleming.
I don’t usually attend a performance of an opera I’ve known well most of my life expecting a revelation.
Met audiences might have to wait a very long time for Die Meistersinger von Nürnberg.
Lakmé, stars Ruth Welting, Alfredo Kraus, and Paul Plishka, conducted by Nicola Rescigno.
“If you’ve overdosed on Der Rosenkavalier in the past week, let’s go back a few years to Richard Strauss’ first operatic hit: Salome.
Be wary of operas that are famous for just one aria or just one famous opinion.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Sign up for our free Newsletter.
Support Parterre Box
Donate to keep opera's liveliest publication free and independent. No paywalls, no institutional backing, no bootlicking.
Get our free newsletter
Opera's top reads delivered to your email weekly…ish.
Join over 100k readers.
The best opera magazine on the web.
Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
Essentials
Copyright © 2026 Parterre Box.
All rights reserved.
Registration or use of this site constitutes acceptance of our Terms & Conditions and our Privacy Policy. Do Not Sell or Share My Personal Information.
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.