Nice piece of Tales
Les Contes d’Hoffmann is something of a puzzle in which some of the pieces are missing and others been altered to fit since Offenbach died before he could complete and revise the work.
Austria
All dolled up
When my editor suggested to me a round-up of my favorite recordings of Jacques Offenbach’s Les Contes d’Hoffmann I was très, très, intrigued.
Utterly unique, occasionally off-putting
Chris’s Cache wishes Gundula Janowitz a happy 87th birthday today with three early live broadcasts of a favorite soprano in works by Pergolesi, Haydn, and Schumann.
Je sens une force nouvelle
Chris’s Cache offers three striking interpretations of another Gluck masterpiece Alceste from Janet Baker, Anna Caterina Antonacci, and Véronique Gens
Thoughts on La Gioconda: the others
Yes, there were other Giocondas if not of quite the same distinction. Chronologically…
Du weisst, wo du mich wiederfinden kannst!
And what a luxury it is to experience this musically outstanding Parsifal with a cast of this caliber!
Spit or swallow
Next week Puccini’s La Rondine returns to the Met for the first time in eleven years, so Chris’s Cache offers three quite diverse sopranos as Magda: Ljuba Welitsch, Virginia Zeani, and Cristina Gallardo-Domâs.
Thoughts on La Gioconda: the opera
Amilcare Ponchielli’s La Gioconda might not be a perfect opera (though I don’t see why not) but it is one of my favorites…
Distinctive and unreservedly commendable
My sole live encounter with Seiji Ozawa coincided with his final appearances at the Metropolitan Opera, where he conducted its 2008 revival of Tchaikovsky’s Pikovaya Dama.
But not Rose
parterre box is excited to present again Mike Richter’s collection of recordings of Rose Ader along with this biographical tribute in honor of a significant artist whose Jewish identity perhaps prevented her from achieving the renown she deserved
Ace of bass
On February 10 of this year was the 100th anniversary of the birth of the great Italian basso Cesare Siepi. I found that this milestone was scarcely noted in the opera press.
Candid theatricality
Out of sheer morbid curiosity last evening I pulled up the “orders” page of my Amazon account and searched Otello to discover that over the past 11 years. I’ve ordered 15 items with that title (one as recently as last night!)
Unexpected Wagneriennes
After attending three Met Lohengrins I’ve gone into Wagner withdrawal waiting for the upcoming Der Fliegende Holländer.
Someday she’ll come along, the girl I love
In Richard Strauss’s Arabella, the heroine is consumed with finding the right man—der Richtige—but who is the right Arabella?
Sacred raptures cheer my breast
The English Concert’s annual Handel tour brings Solomon conducted by Harry Bicket to the US beginning Sunday March 5. In anticipation, Chris’s Cache offers Solomon plus four other oratorios by the master: Belshazzar, Hercules, Saul and Jephtha, all via broadcasts for which I feel a personal connection.
Trapped
What happens when you attend a performance and it doesn’t engage you?
Everything sacred
Wrapping up Diva November, Chris’s Cache offers two sacred works that couldn’t be more unalike.
We’ll always have Paris (or maybe not)
The revival of Don Carlo(s) which opened on November 3 restored the translated Italian text and the cut 1882 four-act revision not seen at the Met since Rudolf Bing’s last season in 1972.
NYCO, out(doors) and proud
The New York City Opera has become an elusive “now you see it, now you don’t” presence in the New York opera scene since the departure of main sponsor and chairman of the board Roy G. Niederhoffer in 2019.
Festal joy triumphant
The July-August timeframe in the San Francisco Bay Area is always exciting time in terms of opera.
Reminiscences of Mozart
The great Spanish mezzo soprano Teresa Berganza died on May 13 at the age of 89, so Trove Thursday salutes one of its favorites with a pair of dazzling rare live Mozart performances.
Everyone’s gone to the moon
The Met’s recent Ariadne auf Naxos and Elektra combo left me wanting more and more Richard Strauss, so Trove Thursday offers a complete Capriccio with Jonas Kaufmann (his one-and-only Flamand) and Christopher Maltman vying for Soile Isokoski.
Soaring on multicolored wings
Eleanora Buratto at this fully matured point of her career has a warm, creamy full lyric soprano that has the roundness and sweet warmth of a Freni but can also expand into the spinto power of a Tebaldi.
(Yet more) Thoughts on ‘Don Carlos’: Coronations and finales
In any case, we are now in the Queen’s garden of the Palace in Madrid. It is the day before the coronation of King Philip. Coronation? What coronation?
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).