Some filth or dementia from Remko Jas
To make a success of the Empress in Frau ohne Schatten, it is not enough to be a fine singer and a great actress.
To make a success of the Empress in Frau ohne Schatten, it is not enough to be a fine singer and a great actress.
I trust, fellow Parterre readers, that we can all agree that Riccardo Muti is a great opera conductor.
Whether an opera by Puccini, Verdi, Wagner, Strauss, or Berg, Dimitri Mitropoulos brought to the podium a total understanding and love for each score he touched.
I first experienced the magic of Seiji Ozawa in 1972 when I was 12 years old.
He has conducted some of my favorite opera recordings.
Ahead of his new production of Die Frau ohne Schatten, Barrie Kosky chats with Kevin Ng in Aix about pretty much everything — except the details of his new Frau.
Greek National Opera’s Medea in the ancient theater at Epidaurus is an intermittently rewarding exercise in nostalgia.
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