Callum John Blackmore

Callum Blackmore is a writer and a researcher currently completing a PhD in historical musicology at Columbia University. Before moving to New York, Callum was awarded degrees from the University of Auckland and the University of Leeds, and has worked with opera companies in New Zealand and the United Kingdom. His research currently focuses on opera and politics in the wake of the French Revolution.

And the star was shining And the star was shining

Such a sleek, polished finish is a testament to the incredible resources and experience at the Met’s disposal – to coordinate this livestream across two different continents so seamlessly and with such flair is very impressive indeed.

on July 20, 2020 at 11:12 AM
Living in the future Living in the future

What does the opera singer of the future look like?

on July 08, 2020 at 12:16 PM
“Le Mozart noir” “Le Mozart noir”

Joseph Bologne, Chevalier de Saint George is frequently referred to as “le Mozart noir.” While surely intended as a favorable comparison to Mozart, the sobriquet is diminishing, implying that Bologne’s music was somehow derivative of Mozart’s.

on June 10, 2020 at 11:17 AM
Outsider art Outsider art

The opera titled L’Amant anonyme (“The Anonymous Lover”) is important because it is one of the earliest known operas by a Black composer that still survives in its entirety.

on June 09, 2020 at 1:01 PM
Changing the lockdown Changing the lockdown

HERE’s Zoom opera, all decisions will be made by consensus, is not merely an opera written to be performed on a digital platform, but an opera that critiques the platform itself, laying bare all its social and aesthetic limitations.

on April 26, 2020 at 1:28 PM
Illness as illness Illness as illness

In operatic pathology, diseases are endowed with preposterous mythological properties: they are both an emblem of desire and the punishment for desire. They are crime, confessional, and executioner all rolled into one.

on April 15, 2020 at 1:35 PM
Taking care of business Taking care of business

Not everyone is happy about the Beethoven sestercentennial.

on March 06, 2020 at 11:19 AM
Well equipped Well equipped

While last year’s finals were dominated by early nineteenth-century bel canto arias, this year’s finalists took on a remarkably broad range of music from a variety of repertoires.

on March 04, 2020 at 11:56 AM
A delicate balance A delicate balance

Saturday’s performance of Così fan tutte demonstrated that even the cool, acerbic wit of Mozart’s most controversial comedy can warm our hearts in these icy winter months.

on February 16, 2020 at 10:04 AM
“Operatic whitewashing” “Operatic whitewashing”

On the day of the Super Bowl, I attended a near-sold-out screening of the Paris Opéra’s recent production of Rameau’s 1735 opéra-ballet Les Indes galantes at New York’s Alliance Française.

on February 10, 2020 at 9:09 AM
You tread on my dreams You tread on my dreams

Wednesday night’s New York Philharmonic concert was a high-stakes performance for a number of reasons.

on February 06, 2020 at 8:27 AM
Elegance, passion and poise Elegance, passion and poise

It is rare to be moved to tears by a lieder recital. It is rarer still to be moved to tears by the third song on a recital program.

on February 05, 2020 at 7:43 AM
A radical participatory platform A radical participatory platform

The opera’s radical vision lay in its enormous scale, which encompassed a hundred-strong community chorus taken from the ranks of the Brooklyn Youth Chorus and Master Voices.

on January 15, 2020 at 10:42 PM
Flawless! Flawless!

At the Metropolitan Opera on Friday night, an otherwise undistinguished Traviata was salvaged by an astonishing performance from Aleksandra Kurzak, whose Violetta was an incontrovertible triumph.

on January 12, 2020 at 12:49 PM
Queen of the New Year Queen of the New Year

Although the gold glitter cannons detonated at the end of the act were an ostentatious reminder that this was a celebration of the new year, it seemed that the only words on anyone’s lips as the audience filed out of the theater were “Viva Netrebko!”

on January 02, 2020 at 7:30 PM
Every snarl and shimmer Every snarl and shimmer

Yannick Nézet-Séguin and the Metropolitan Opera Orchestra reigned supreme at the opening night of Wozzeck on Friday evening, rendering every snarl and shimmer of Berg’s score with gripping intensity.

on December 28, 2019 at 12:04 AM
You better sit down kids You better sit down kids

If Sunday’s performance of Magic Flute at the Met demonstrated one thing, it is that opera targeted at children must be just as good as (if not better than) opera targeted at adults.

on December 16, 2019 at 10:33 AM
Singing through Singing through

A near-full house attended the Jessye Norman Memorial Celebration at the Met on Sunday afternoon, the auditorium packed with family, friends, colleagues, and fans of the late soprano, who passed away on September 30 of this year.

on November 25, 2019 at 8:57 AM
Let your love flow Let your love flow

Saturday afternoon’s performance of Le Nozze di Figaro at the Met was awash with contradictions.

on November 18, 2019 at 8:00 AM
Is that how they do it? Is that how they do it?

Così fan tutte presents a considerable challenge to the modern director.

on November 17, 2019 at 12:07 PM
A place in the sun A place in the sun

Friday evening’s Met premiere of Akhnaten was a resounding triumph and an outstanding testament to Philip Glass’s enduring operatic vision.

on November 09, 2019 at 5:24 PM
Endlessly engrossing Endlessly engrossing

It seems a travesty that Philip Glass’s Akhnaten, one of the seminal works of the 20th by one of America’s most iconic composers, is only just receiving its Met premiere in 2019, some 35 years after its first performance!

on November 09, 2019 at 1:39 AM
We’ll always have Paris We’ll always have Paris

At Friday night’s performance of La Bohème at the Met, the cast seemed to lean into (and gamble upon) the production’s enduring popularity.

on October 26, 2019 at 12:19 PM
Over the garden wall Over the garden wall

Hannah Lash’s latest opera, which premiered at the Miller Theater on Wednesday night, was a musical and dramatic misfire.

on October 18, 2019 at 9:00 AM
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