Later this month Asmik Grigorian will star in Covent Garden’s new Jenufa, which Trove Thursday anticipates presenting the acclaimed Lithuanian soprano in a broadcast from 2014 of Tchaikovsky’s rare opera The Enchantress (Charodeyka).
Otto Nicolai’s Il Templario with Juan Diego Flórez, Clémentine Margaine and Luca Salsi.
Trove Thursday marks Mozart’s 264th birthday on Sunday with the 14-year-old’s remarkable opera seria Mitridate, Re di Ponto .
Trove Thursday presents that perennial holiday favorite Berg’s Wozzeck.
A second Trove Thursday marking the recent passing of Jessye Norman focuses on the soprano’s catholic repertoire with three 20th century works: Stravinsky’s Oedipus Rex; Berg’s Altenberg Lieder; and Franck’s Les Béatitudes.
L’Italiana in Algeri‘s appearance at the Salzburg Festival should be no surprise since Ceciila Bartoli has been the intendant of the Whitsun Festival extension at Salzburg since 2012.
It’s time for Plácido Domingo to man up and withdraw from the Met’s 2019-2020 season.
Beauteous Trinidadian soprano Jeanine De Bique appeared Sunday afternoon with the visiting Budapest Festival Orchestra under Ivan Fischer.
The opera proved somewhat puzzling—the score representing more a collage of fragmented and incidental musical ideas, and the libretto a turgid, slow-moving mass of purple prose.
Today the good guy finally gets his chance with San Giovanni Battista by Alessandro Stradella featuring Christophe Dumaux as John the Baptist.
“Trove Thursday” offers Die Frau ohne Schatten conducted by Georg Solti and also featuring Regina Resnik, Donald McIntyre and the inevitable James King.
Russell Thomas’s opening aria, “Del piu sublime soglio” displayed an intense attention to the text and some surprisingly beautiful piano phrasing that I’ve never heard risked before and it brought wonder and gooseflesh.
Claudio Abbado passed away on the 20th of January five years ago, just months before I began my Ph.D.
Alban Berg’s compact yet potent oeuvre has long played an outsized role in shaping my understanding of music’s aesthetic evolution.
How do we celebrate a long career in opera, particularly one as illustrious as Plácido Domingo‘s?
Anna Netrebko is the greatest performing artist singing opera today. Nobody else comes close; she makes me love her in a way that verges on the erotic.
August on “Trove Thursday” begins with Midsummer Mezzo Madness featuring a sterling quartet of lower-voiced ladies
This year’s Salzburg Festival opens Saturday with a new production of Mozart’s Die Zauberflöte, an opera often performed elsewhere in translation, so “Trove Thursday” offers two for the price (!) of one.
Well here we are, beloveds, still swathed in the warm glow of the Leonard Bernstein centennial. Box sets abound like bunnies in a hutch.
The third installment of my 50th anniversary tribute to Edita Gruberova was impossible to narrow down to one selection.
Der Rosenkavalier (on Blu-ray and DVD) is from the Met HD broadcast which also happened to be the final performance of the run, becoming a true souvenir of the farewells of its two leading ladies.
“Trove Thursday” presents an all-star five-act Don Carlo from forty years ago tonight.
Another five-Thursday month invites “Trove Thursday” to offer a combo of shorter works.
Just because one can write an opera based on a film, does this necessarily indicate that one should?
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Sign up for our free Newsletter.
Support Parterre Box
Donate to keep opera's liveliest publication free and independent. No paywalls, no institutional backing, no bootlicking.
Get our free newsletter
Opera's top reads delivered to your email weekly…ish.
Join over 100k readers.
The best opera magazine on the web.
Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
Essentials
Copyright © 2026 Parterre Box.
All rights reserved.
Registration or use of this site constitutes acceptance of our Terms & Conditions and our Privacy Policy. Do Not Sell or Share My Personal Information.
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.