Something extramarital
Saturday evening conductor Will Crutchfield revived Donizetti’s La Favorite—unheard in New York for fifteen years.
Salzburg Festival
Henry, sweet Henry
Although she began her career nearly 25 years ago recording and performing lots of baroque music, I was surprised to see German soprano Dorothea Röschmann promoted as the star attraction of an all-Purcell concert Sunday at Carnegie Hall.
Bohemian
No surprises this week: back to normal with what is perhaps the world’s most favorite opera: Puccini’s La bohème.
Between two worlds
If works like Salome and Erwartung defined modernism in the first decades of the 20th century, Die Tote Stadt and Palestrina represented the regressive avant garde.
Rock-a-bye your baby with a pentatonic melody
It seems almost comical to think now but the designer-director Jean-Pierre Ponnelle, who died in 1988, was at one time considered the height of regie-theatre scandal.
Flame war
The role debut of a world-class singer is always a time of great anticipation, hopefully to be followed by celebration, if not unbridled jubilation.
Hysterical blondeness
Wednesday brought the Met’s “real” season opener, an indelible, indispensable night at the opera: a starry revival of Verdi’s Macbeth crowned by Anna Netrebko’s demented Lady.
Three nights in Paris
“Oh to be young and going to Paris for the first time,” exclaimed an elderly gentleman who donned his best sweatervest for a concert at the Ottawa International Chamber Music Festival this past August.
The dark side of the moon
After viewing Stefan Herheim’s production of Rusalka, I’ve got a new category: “regie slick.”
Rule number 11
Cher public, you may remember that about 18 years ago a parterre writer called Dr. Repertoire came up with a handy list of rules for stage directors.
Fairy tale
“Conduct Salome and Elektra as if they were by Mendelssohn: Fairy music.” Seriously, how often has that happened?
Auto-da-fair
The Salzburg Festival has long had the image of this place where for a little over a month, the very best singers are brought together with the very best conductors and the very best directors to create the very best productions the opera world has to offer.
The Met: Can it be saved?
Short answer: yes. But let’s begin by dismissing the a blatant canard. One thing that the Metropolitan Opera does not need to do is to scale back the number of performances in a season.
New faces
Mr. Ian Rosenblatt is a London solicitor and patron of charitable causes in Britain primarily focused on classical music.
High concept
Well, my dears, if you thought Frank Castorf‘s Ring or Stefan Herheim‘s Meistersinger were outré, then wait until you get a load of the radical take on Don Carlos by Peter Stein for the Salzburg Festival!
Belief in a higher power
The behavioral phenomenon of limerence has been described as “an involuntary potentially inspiring state of adoration and attachment to a limerent object involving intrusive and obsessive thoughts, feelings and behaviors from euphoria to despair, contingent on perceived emotional reciprocation.”
Autumn leaves
It may have taken most of Verdi’s canon to do it, but the “Tutto Verdi” collection finally manages to do justice to Verdi in his last two operas.
The Piotr principle
A Dutch-speaking parterrian has graciously translated the interview with Piotr Beczala that’s been causing such a foofaraw lately.
Crack of doom
It took about 30 minutes for me to grow restless watching the world premiere video of Gyorgi Ligeti’s Le Grand Macabre from Gran Teatre del Liceu.
Stairway to paradise
We approach, beloveds, as unto a shrine, for these are no ordinary performances.
Shadow, no doubt
Richard Strauss’s “last romantic opera,” as he called Die Frau Ohne Schatten, is and has always been a problem child.
Cold case
The operas of Leos Janácek have been slowly gaining ground in the world’s theatres over the past fifty years.
Room for improvement
It’s hard to think of a rare work by a great composer more tailor-made for a twenty-first century reexamination than Mozart’s Il Sogno di Scipione.
Counter attack
By the end of its 2012-13 season, the Met will have presented four HD transmissions in less than two years featuring countertenors in prominent roles.
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).