“The trouble is you think you have time” “The trouble is you think you have time”

“Trove Thursday” presents Falla’s La Vida Breve in a live concert version with Victoria de los Angeles, one of Spain’s greatest singers, as Salud.

Women on the verge Women on the verge

“Trove Thursday” offers Così fan tutte with Pilar Lorengar, Josephine Veasey, Lucia Popp, Luigi Alva and Kieth Engen with Georg Solti conducting.

“The most significant dramatic creation since Les Huguenots” “The most significant dramatic creation since Les Huguenots”

Awaiting the return of Parsifal to the Met, “Trove Thursday” hops to the other end of Wagner’s oeuvre with a recent Rienzi der letzte der Tribunen.

With a song in my heart With a song in my heart

Another five-Thursday month invites “Trove Thursday” to offer a combo of shorter works.

Z to A Z to A

Today’s offering is an electric performance of Verdi’s early potboiler Attila conducted by Giuseppe Sinopoli.

Wine coolers are the first thing, morals follow on Wine coolers are the first thing, morals follow on

Skirting the leafy, patrician Berkshires of Western Mass, and flush with wine coolers and white people, pastoral Tanglewood doesn’t much resemble the dark Nibelung settings of Norse myth.

Tomb service Tomb service

An outstanding performance of Weber’s Euryanthe to share on “Trove Thursday.”

The song is you The song is you

Met audiences might have to wait a very long time for Die Meistersinger von Nürnberg.

Fire Walk with Me Fire Walk with Me

This week brings another opera about which we’ve heard a lot but have had few opportunities to see onstage: The Fiery Angel by Sergei Prokofiev.

Leonie on the Nile Leonie on the Nile

Leonie Rysanek, would have turned 90 today.

Search for Tamara Search for Tamara

The 2016 Richard Tucker Award recipient is Tamara Wilson.

Crazy stupid love Crazy stupid love

Well, that didn’t last long.

“Something great in itself” “Something great in itself”

Now we have considered the three “winners” in the Tristan competition, let’s turn to the also-rans, or, to be more optimistic, the runners up.

Wunderbare Träume Wunderbare Träume

Patrice Chéreau, the humanist in provocateur’s clothing, returned to Wagner in 2007 at La Scala with Daniel Barenboim and Waltraud Meier.

I saw three ships I saw three ships

“Never in my life having enjoyed the true happiness of love I shall erect a memorial to this loveliest of all dreams…”

One night of love One night of love

Your alte Jungfer’s requisite Kuschelkatze (pictured) arrived on my doorstep in Mariahilf with the name of Tristan.

Devil’s advocate Devil’s advocate

Just 85 years ago, four of Italy’s greatest opera stars gathered at Teatro all Scala for an historic event: the first-ever recording of Arrigo Boito’s sole complete opera, Mefistofele.

Bella come un tramonto Bella come un tramonto

With the performance of Dessì we move onto a different plane than the other singers.

Wagner, where you least expect it Wagner, where you least expect it

“Trove Thursday” offers a Der Fliegende Holländer from New York City Opera featuring the underrated American soprano Johanna Meier.

Old school Old school

This week, I offer you a classic rendition of Richard Strauss’ tale of the House of Atreus starring Ursula Schröder-Feinen, Astrid Varnay, Leonie Rysanek, Theo Adam, and Hans Hopf under Karl Böhm’s direction.

Cross purposes Cross purposes

“Has anyone ever seen a truly great production of this opera?”

Forever young Forever young

Perhaps the most admirable project of Dominique Meyer’s Intendanz at Wiener Staatsoper is the traversal of the operas of Leos Janancek,.

Special guest Heldenreizerin Special guest Heldenreizerin

WNO’s first complete Ring Cycle continued Monday evening with a revamped version of the Die Walküre first seen at the Kennedy Center in 2007.

Not only with words, but with lively gestures Not only with words, but with lively gestures

“I will never sing the role again. It was frightful. We were a set of madwomen…There is nothing beyond Elektra. We have lived and reached the furthest boundaries in dramatic writing for the voice with Wagner. But Richard Strauss goes beyond him. His singing voices are lost. We have come to a full stop.”