A melody that begins a symphony
There may be frozen giant erections and psychedelic projections galore — but there’s also a surprising degree of emotion in Kirill Serebrennikov‘s latest theatrical experiment in Berlin.
There may be frozen giant erections and psychedelic projections galore — but there’s also a surprising degree of emotion in Kirill Serebrennikov‘s latest theatrical experiment in Berlin.
Bayreuth’s AI-powered “Ring 100010110” marred a first-rate cast and orchestra with nightmarish visuals and horrid dramaturgy.
Philippe Sly is sublime as Messiaen’s Saint François D’Assise in Salzburg, though Romeo Castellucci‘s production could brush up on its catechism.
Malin Byström is a radiant water nymph in the Bayerische Staatsoper‘s house-of-horrors-set Rusalka.
Dmitri Tcherniakov‘s production of Der Freischütz in Munich may fire a few blanks, but the musicians are all on target.
The Bayerische Staatsoper’s summer festival wound down with Lotte de Beer’s darkly effective production of Gounod ’sFaust.
Cher public is exhorted to join the Geplauder when the annual week of broadcasts from Bayreuth begins on Saturday
Zany gags keep Zar und Zimmermann zipping along at the Deutsche Oper Berlin.
Daniel Barenboim’s Tristan und Isolde is a performance I keep coming back to, again and again.
Ahead of his new production of Die Frau ohne Schatten, Barrie Kosky chats with Kevin Ng in Aix about pretty much everything — except the details of his new Frau.
The Bayerische Staatsoper’s Ring cycle scores another triumph with Tobias Kratzer’s take on Die Walküre.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.