Cher Public

Trauermarsch

LevineI can scarcely remember a performance where so many conflicting thoughts raced through my mind as happened Thursday night during the Met Orchestra’s “bleeding chunks” of Wagner’s Ring at Carnegie Hall. On one hand, superb Wagnerians Christine Goerke and Stefan Vinke soared through duets and solos from Siegfried and Götterdammerung magnificently supported by the sterling orchestra, but the complicated subtext prevented me from entirely enjoying the evening.  Read more »

The good, the bad and the Haydn

Susan GrahamThe transgressive filmmaker John Waters writes in his book Shock Value: “there is such a thing as good bad taste and bad bad taste.” Personally, I fancy myself a connoisseur of good bad taste; and, in a striking program at Carnegie Hall last night, the Orchestra of St. Luke’s (OSL), with guest vocalist Susan Graham, brought together a wide array of musical proclivities—good and good bad taste alike.  Read more »

From Steamboat Springs to La Paz

Le Renee Hot“Finally, Ms. Fleming reveals a completely different side of her artistry: her life-long passion for jazz in the sophisticated songs of American composer-vocalist Patricia Barber.” Read more »

Aged in blood

Simply put, Christine Goerke is a stupendous Elektra.

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Elektral college

La Cieca thought the cher public might like to share some of their favorite Elektra videos and anecdotes.

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Lips together, teeth apart

Mr. Peabody, that Leonardo among canines, claimed she was suffering from toothache.

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Bows and arias

Whenever opera-lovers are canvassed about what neglected operas they hunger to see revived, the resulting lists inevitably feature a goodly number of grand operas, those once wildly popular monstrosities–particularly by Meyerbeer–written primarily for Paris in the mid-19th century.

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In witch we serve

Sunday afternoon’s intermittently involving concert performance of Handel’s Alcina at Carnegie Hall starred an unusually intense Joyce DiDonato as a powerful sorceress blinded by her romantic delusions.

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