Green-eyed monster
Last night should have seen my favorite of this season’s revivals but instead Trove Thursday must step up with Jean-Marie Leclair’s irresistibly captivating Scylla et Glaucus conducted by Christophe Rousset.
Last night should have seen my favorite of this season’s revivals but instead Trove Thursday must step up with Jean-Marie Leclair’s irresistibly captivating Scylla et Glaucus conducted by Christophe Rousset.
In operatic pathology, diseases are endowed with preposterous mythological properties: they are both an emblem of desire and the punishment for desire. They are crime, confessional, and executioner all rolled into one.
Bus Stop deals with uncomfortable questions of sex and longing, and it also examines a desire for human connection that often comes up short.
While isolated opera-lovers intently navigate the deluge of streaming videos being made available, I’ve been listening rather than viewing.
It’s Easter season, and that can mean only one thing for opera: It’s Cavalleria Rusticana time. And I, for one, couldn’t be more excited.
While Harry Rose finishes his senior thesis on Gabriele d’Annunzio, Trove Thursday joins in his fascination with Dante’s damned adulteress with two settings (both from Amsterdam!) of Francesca da Rimini.
On this day in 1975 Rossini’s Siege of Corinth had its American stage premiere at the Metropolitan Opera. Soprano Beverly Sills made her official Met debut as Pamira.
Who could doubt that Leontyne Price contains multitudes?
One of the more unfortunate losses from the Met’s closure is its revival of Simon Boccanegra, so Trove Thursday steps up with a 1975 Berlin performnace of Verdi’s dark masterpiece with Ingvar Wixell, Gundula Janowitz, José van Dam and Bruno Prevedi.
Having just watched and written about the famous Actors Studio Three Sisters, it also feels right to turn now to The Cherry Orchard—Chekhov’s final play—in a production from the BBC.
On this day in 1892, Adelina Patti sang her first and only performance of La traviata at the Metropolitan Opera House.
I need to get something off my chest. I love bel canto.
Trove Thursday couldn’t wait until Passover to offer Mendelssohn’s Elijah featuring two of my favorite singers, Gabriela Benacková and José van Dam, joined by Florence Quivar, Francisco Araiza and Thomas Moser.
As long as women have been preyed upon, Don Giovanni has been relevant.
It’s difficult to discuss Unknown Soldier without considering the impact of legacy.
We are in the midst of a titanic Beethoven onslaught prompted by the unstoppable need to commemorate the composer’s upcoming 250th birthday.
Ester, Liberatrice del Popolo Ebreo was presented in concert on Thursday night by Salon/Sanctuary Concerts in the Brotherhood Synagogue on Gramercy Park, in proper time for Purim.
Not everyone is happy about the Beethoven sestercentennial.
On this day in 1959 Alban Berg‘s Wozzeck had its Metropolitan Opera premiere.
Later this month Asmik Grigorian will star in Covent Garden’s new Jenufa, which Trove Thursday anticipates presenting the acclaimed Lithuanian soprano in a broadcast from 2014 of Tchaikovsky’s rare opera The Enchantress (Charodeyka).
VIctor Herbert demonstrates in this slight, affectionate piece a talent for keeping his musico-dramatic balls in the air, as Madeleine’s spirits juggle, fall, rise again, and droop to elegant resignation at the last.
I never imagined I’d see such a rote park-and-bark Wagner production created in 2020!
After tonight’s dark drab dud of a Dutchman, I was plunged into despair.
In the opera world, one of the pieces that underwent a multitude of changes in its reception was undoubtedly Richard Wagner’s longest and most Germanic opera, Die Meistersinger von Nürnberg.
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