Saturday marks the centenary of Julius Rudel’s birth which Trove Thursday celebrates with Le Coq d’or, Faust and Ariodante, a triple-bill showcasing his impressive versatility, featuring Beverly Sills and Norman Treigle, two of the most important artists he nurtured during his leadership of the New York City Opera.
Now, through the auspices of the Metropolitan Opera, we have Sonya Yoncheva—and if anything, the diva-dom has been kicked up a notch!
Giacomo Puccini’s La fanciulla del West may have its detractors (Stravinsky referred to it as a “horse-opera’) but you will not find me among them.
Whatever you think of Angela Gheorghiu, she epitomizes a star sound, the kind of voice that’s recognizable within three seconds, and she definitely knows her way around a performance.
With Lent arriving next week, Trove Thursday throws a “Jeudi Gras” party featuring two delicious zarzuela concerts.
Proudly and vividly on display was Anna Netrebko’s unique and glamorous ability to wear the music like a parade of couture gowns—some more sparkly than others, some a more flattering fit, but all thoughtfully chosen and laced into with care.
On this day in 1928 soprano Grace Moore made her Metropolitan Opera debut as Mimì.
For those pining for Puccini with the Met out of commission. Trove Thursday steps up with the composer’s brief first opera Le Villi with Krassimira Stoyanova, José Cura and Franz Grundheber, led by Simone Young.
It was a meaty program. But both singers had the chops for it.
Opera Philadelphia Channel invites viewers to revisit a 2015 production of La Traviata, captured on the Academy of Music stage, that’s notable for Lisette Oropesa’s debut as Violetta Valéry.
Born on this day in 76 AD Roman Emperor Hadrian.
Take it as a high compliment to the harrowing, riveting Soldier Songs that I was grateful it lasted only one hour. My nerves couldn’t have handled more.
During the 70s, Kiri Te Kanawa, particularly singing Mozart, became one of my favorite singers.
Truly, I think it would be almost impossible to overpraise Anna Magnani in a performance that’s absolutely riveting from start to finish
Performance from January 18, 2020: Karel Mark Chichon; Aleksandra Kurzak (Violetta Valéry), Dmytro Popov (Alfredo Germont), Quinn Kelsey (Giorgio Germont).
For nearly 70 years, New York City was the world capital of concert opera thanks first to the American Opera Society, then to Eve Queler’s Opera Orchestra of New York.
Call Out is an ample demonstration of Zachary James’ many talents—and an inspiring example of the artistic light that can be generated even when our theaters are temporarily dark.
Despite the ongoing pandemic and the political upheaval, the Prototype Festival is back, and it is bigger and more accessible than ever before.
The Murder of Halit Yozgat by Ben Frost and Petter Ekmann is flavorsome in its use of sound, vocal and otherwise, to explore the elements of the story, to keep you tied in, and guessing.
As Julia Child, Jamie Barton is clearly having the time of her life.
Ninety-five years ago, Evelyn Lear was born on January 8 in Brooklyn, and Trove Thursday remembers the soprano with one of her earliest successes: Schreker’s Die Gezeichneten co-starring her husband Thomas Stewart, Helmut Krebs and Franz Crass.
On this day in 1955 contralto Marian Anderson made her historic Metropolitan Opera debut.
Happy New Year, dear readers, from me, Callum, and Christine Goerke’s headband-tiara!
Trove Thursday follows tradition and bids farewell to 2020 with an operetta: Lehár’s Die Lustige Witwe starring Edda Moser as a most commanding Hanna Glawari!
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
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