Christopher Corwin
Christopher Corwin began writing for parterre box in 2011 under the pen name “DeCaffarrelli.” His work has also appeared in , The New York Times, Musical America, The Observer, San Francisco Classical Voice and BAMNotes. Like many, he came to opera via the Saturday Met Opera broadcasts which he began listening to at age 11. His particular enthusiasm is 17th and 18th century opera. Since 2015 he has curated the weekly podcast Trove Thursday on parterre box presenting live recordings.
New York fans of 17th century Italian vocal music should be rejoicing this month.
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“Trove Thursday” marks Monteverdi’s 450th birthday with a rare broadcast of his towering final work L’Incoronazione di Poppea.
The 55th New York Film Festival presented the world premiere of Susan Froemke’s marvelous new documentary The Opera House in a special one-time-only screening at the Metropolitan Opera.
Arabella with Wolfgang Sawallisch conducting a prime-time 1980s Munich cast.
Last night was my fourth or fifth wade into the slough of Bartlett Sher’s production of Offenbach’s Les Contes d’Hoffmann at the Met since its premiere in 2009.
Bellini’s Norma Monday evening didn’t at all improve on the production it was replacing.
Ali Baba ou Les Quarantes Voleurs continues straight-tone September with Teresa Stich-Randall as its heroine while Alfredo Kraus scales the heights with another Nadir.
“Trove Thursday” presents a performance from 40 years ago: an inspired Renata Scotto as Cilea’s Adriana Lecouvreur.
Is this not Puccini’s greatest opera, his most human, least manipulative?
Today’s offering is an electric performance of Verdi’s early potboiler Attila conducted by Giuseppe Sinopoli.
“Trove Thursday” celebrates the thrilling Finnish soprano Karita Matilla in the ultimate diva role.
I first went bonkers for Bellini’s masterpiece during the previous century when the Met remounted it for Joan Sutherland.
Bard College presented a semi-staged concert of Halka on Saturday evening as part of its impressively wide-ranging two-week “Chopin and his World” festival.
A rollicking performance of his delightful comic opera Der geduldige Sokrates featuring a fine cast and the magnificent Akademie für Alte Musik conducted by René Jacobs.
“Trove Thursday” presents Janet Baker in Mahler’s Das Lied von der Erde from 1970 partnered by Jess Thomas and conducted by Josef Krips.
Due to bandwidth limits “Trove Thursday” must post some more modest offerings in months with five Thursdays.
You’d think by now I’d know better than to make snap judgments about an opera or a singer—but apparently not.
Can a surfeit of pleasure become—in the end—unsatisfying?
“Trove Thursday” offers Gemma di Vergy with the lovely, largely now forgotten Adriana Maliponte in the title role.
This week’s “Trove Thursday” offers Benjamin Britten’s Death in Venice featuring Anthony Rolfe Johnson.
Wednesday brought Christopher Alden’s grimly dark and violent take on Handel’s Aci, Galatea e Polifemo at National Sawdust.
The highlight of this year’s Bard Summerscape festival must be a rare staging of Dvorak’s Dimitrij.
Endlessly extricating her from existing contracts then negotiating new ones must make being Sonya Yoncheva’s manager the hardest job in the music business.
A week from Saturday Will Crutchfield’s “Bel Canto at Caramoor” ends a 20-year run with Il Pirata.
