David Fox
Joyce DiDonato’s take on Winterreise is a conceptual misstep that, song after song, frustratingly dilutes and distracts from an often rewarding musical performance.
Maestro Yannick Nézet-Séguin, always with a gift for gab, is ever more loquacious in concerts, often talking directly to the audience.
The Berta (mezzo-soprano Emily Damasco) runs away with the show.
Love in Hate Nation is a little musical that could and can… and I sure as hell hope it does!
Since 1934, Philadelphia’s Academy of Vocal Arts has been preparing emerging artists for operatic careers.
As we also saw last year, Festival O19 ended on a sweetly quiet note, movingly connecting Opera Philadelphia with the larger city and our musical future.
For the academics who may be reading this: Let Me Die exists in a confounding but intriguing interpretive liminal space.
Employing the most slimly elegant resources, Festival O’s Denis & Katya is a monumental, dramatically shattering event.
Opera Philadelphia’s Love of Three Oranges is never less than extravagantly entertaining theater.