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For the season opener, Opera San José decided to explore the class conflict central to Le nozze di Figaro by transporting the opera to India, specifically during the British Raj.
With the phenomenal cast that stacked Paris Opera’s production of I Capuleti e i Montecchi , it was easy to overlook the quirks of Bellini’s opera and get lost in the pleasures of glorious bel canto singing.
On this day in 1983 the Metropolitan Opera opened its season with a revival of Les Troyens, featuring the company debut of soprano Jessye Norman.
On this day in 2017 the Metropolitan Opera opened its season with a new production of Norma starring Sondra Radvanovsky.
Rodrigo is a ball-breaking role, but Lawrence Brownlee makes the demands sound easy—tossing in additional high notes and audaciously decorating cabalettas as if it were the easiest thing in the world.
On this day in 2012 the Metropolitan Opera opened its season with a “new” production of L’Elisir d’amore.
Grand Tier Grab Bag
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Otherwise occupied
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Northern star
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Tra voi belle
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
León in winter
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
My impression was of a very fine singer performing a role that was slightly too large for him.
On this day in 1985 the Metropolitan Opera opened its season with a gala revival of Tosca starring Montserrat Caballé and Luciano Pavarotti.
Despite the diminishing returns of her vocal means, Edita Gruberova‘s last years of her career were if anything more successful than ever.
Festival O is back, and the sense of joy and expectation was palpable among the audience and Opera Philadelphia staff, who chatted together as we awaited the start of The Raven.
On this day in 2008 designers Christian Lacroix, Karl Lagerfeld and John Galliano took turns draping frocks on Renée Fleming for a gala opening night at the Metropolitan Opera.
These are my findings and opinions (and I welcome rebuttals)!
On this day in 1972 the Metropolitan Opera opened its season with a new production of Carmen.
The worst criticism perhaps was the gleeful Schadenfreude noting Edita’s voice wasn’t as under her command as it used to be.
Talk of the Town
A favorite bass performance from Christopher Corwin
As we reach the end of “Bass Month” I’d like to call attention to the superb American Gregory Reinhart who particularly shone in music by Jean-Philippe Rameau.
As we reach the end of “Bass Month” I’d like to call attention to the superb American Gregory Reinhart who particularly shone in music by Jean-Philippe Rameau.
A favorite bass performance from TildyDiva
The greatest bass performance I ever experienced was actually four – four performances in four roles.
The greatest bass performance I ever experienced was actually four – four performances in four roles.
A favorite bass performance from William Guanbo Su
This performance was introduced to me by Norman Treigle’s granddaughter —very fine mezzo-soprano Emily Treigle; while I was preparing the role of Olin Blitch, and it completely changed my understanding of the character.
This performance was introduced to me by Norman Treigle’s granddaughter —very fine mezzo-soprano Emily Treigle; while I was preparing the role of Olin Blitch, and it completely changed my understanding of the character.
A favorite bass performance from H_Badger
The Met in HD proved to be a major gateway drug for me, showing me my first Don Carlo in 2010.
The Met in HD proved to be a major gateway drug for me, showing me my first Don Carlo in 2010.
A favorite bass performance from Eli Jacobson
This bass aria “Sous les pieds d’une femme” from Gounod’s La Reine du Saba used to be a concert favorite
This bass aria “Sous les pieds d’une femme” from Gounod’s La Reine du Saba used to be a concert favorite
A favorite bass performance from La Grunowa
Tancredi Pasero is so noble in mien and rich-voiced here, a perfect complement to Caniglia’s earthy Leonora who honestly charts the movement from despair to fervent, transcendent faith in this duet.
Tancredi Pasero is so noble in mien and rich-voiced here, a perfect complement to Caniglia’s earthy Leonora who honestly charts the movement from despair to fervent, transcendent faith in this duet.
Emily D’Angelo, in a moment of subversion, sang the entire program wearing casual trousers, a vest, and chunky combat boots, her cropped hair slightly mussed, and wearing only light make-up.
On this day in 1971 the Metropolitan Opera opened the final season of the Rudolf Bing regime with a revival of Don Carlo.
Surrounded by security and greeted by a bevy of cameras, Su Majestad la Reina Sofía brought a bit of excitement to an evening that didn’t end up being all that musically rewarding.
LA Opera sent out an email warning that the production “contains depictions of blood, violence, and drug use, as well as strobe lights and a gunshot effect in Act III.”
On this day in 1968 the Metropolitan Opera season opened with a revival of Adriana Lecouvreur featuring Renata Tebaldi and Franco Corelli.
Born on this day in 1905 actress Greta Garbo.
Born on this day in 1925 actress and songstress Dorothy Loudon.