lise davidsen

Selling the drama

Though the formal recorded aria recital is the ultimate calling card of an artist, the invitation to the spectator to receive, listen, and critically behold of the offerings (on fire or burnt), they are but a souvenir and there are a few drawbacks inherent with the presentation.

By 66 comments

Thanks a million

“The Met acted quickly to cast her as Leonore in Fidelio, Chrysothemis in Elektra, Ariadne in Ariadne auf Naxos, Eva in Die Meistersinger von Nürnberg and the Marschallin in Der Rosenkavalier.”

By 104 comments

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