While one sympathized with Matthew Aucoin’s urge to add his voice to the Orpheus canon it was difficult to figure out how his work complemented Gluck’s.
At “Trove Thursday” it’s May Night, Nikolai Rimsky-Korsakov’s 1880 comic opera, in a recent broadcast from Moscow led by pianist-conductor Mikhail Pletnev.
I had my head in my hands groaning in disbelief instead of joining in the general applause around me.
For all the company’s good intentions this opera-dance combo was not one of its happiest outings.
Scheming Anne-Sofie von Otter offs her brother and sons before the opera even begins? You bet!
The Eloquence label of Australia, the down under-arm of Decca and now by extension Deutsche Grammophon, seems to specialize in the re-release of “Auld Lang Syne” treats.
Christophe Dumaux quickly slipped in and out of town this weekend to sing Handel and Vivaldi in a marvelous gala concert with the Sejong Soloists at Zankel Hall.
Another five-Thursday month invites “Trove Thursday” to offer a combo of shorter works.
“It’s not easy being green”: especially if you’re the two greatest Italian opera composers.
For my early self-birthday gift “Trove Thursday” offers a Handel-orgy of rarely done works.
New York fans of 17th century Italian vocal music should be rejoicing this month.
“Trove Thursday” celebrates the thrilling Finnish soprano Karita Matilla in the ultimate diva role.
Can a surfeit of pleasure become—in the end—unsatisfying?
Endlessly extricating her from existing contracts then negotiating new ones must make being Sonya Yoncheva’s manager the hardest job in the music business.
Now it’s time to grab Albert Einstein for a lengthy swim.
“Trove Thursday” provides a live broadcast of Mozart’s rarely performed cantata Davide Penitente by Les Arts Florissants conducted by William Christie.
“Trove Thursday” presents a live Motezuma conducted by Alan Curtis with Karina Gauvin, Sonia Prina, Mary-Ellen Nesi, Vito Priante and Ann Hallenberg (as Hernán Cortés!).
Only the grand forces of Lyric Opera could bring such power and life to this production of My Fair Lady.
I don’t usually attend a performance of an opera I’ve known well most of my life expecting a revelation.
This week brings another opera about which we’ve heard a lot but have had few opportunities to see onstage: The Fiery Angel by Sergei Prokofiev.
“Trove Thursday” presents Altre Stelle, a fascinating performance piece which includes superb renditions of excerpts from operas by Berlioz, Cherubini, Gluck and Rameau.
“In my music, there’s not repetition. Something is always going on.”
Trove Thursday presents as compensation Verdi’s Jérusalem with Cecilia Gasdia, Veriano Luchetti and Silvano Carroli conducted by Donato Renzetti.
Kaufmann conveys Lohengrin’s immense loneliness in a profoundly moving way. I am happy to report that vocally he sounds completely recovered.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Sign up for our free Newsletter.
Support Parterre Box
Donate to keep opera's liveliest publication free and independent. No paywalls, no institutional backing, no bootlicking.
Get our free newsletter
Opera's top reads delivered to your email weekly…ish.
Join over 100k readers.
The best opera magazine on the web.
Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
Essentials
Copyright © 2026 Parterre Box.
All rights reserved.
Registration or use of this site constitutes acceptance of our Terms & Conditions and our Privacy Policy. Do Not Sell or Share My Personal Information.
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.