All the lovely things you are to me
To celebrate the 100th anniversary performances of Turandot at the Met starting next week, Patrick Dillon gives a listen to seven versions of “Signore, ascolta!” for Perspectives on an Aria.
23 pieces since 2011 — at 2 companies, most often at Metropolitan Opera.
To celebrate the 100th anniversary performances of Turandot at the Met starting next week, Patrick Dillon gives a listen to seven versions of “Signore, ascolta!” for Perspectives on an Aria.
Die Walküre Met 12/6/1941- Helen Traubel, Astrid Varnay (debut), Kerstin Thorborg, Lauritz Melchior, Friedrich Schorr, Alexander Kipnis, cond. Erich Leinsdorf
Matthew Travisano takes on Mimì’s Act III aria from La bohème — not that one, the other one — in the latest installment of the “Perspectives on an Aria” series
I’m old enough to remember when Yannick Nézet-Séguin could do no wrong.
In the lead up to LA Opera’s mounting of Turandot on May 18th (hooray!) I thought I’d touch on some of my favorite recordings and new re-masters I’ve discovered. I have them all.
It’s time to discuss Zinka Milanov.
On this day in 2006 tenor Jonas Kaufmann made his Metropolitan Opera debut as Alfredo.
On this day in 1960 soprano Eileen Farrell made her Metropolitan Opera debut in the title role of a new production of Gluck’s Alceste.
Beverly Sills and Renée Fleming perform 30 years apart the same work with the same orchestra in the same venue!
The Met’s recent Ariadne auf Naxos and Elektra combo left me wanting more and more Richard Strauss, so Trove Thursday offers a complete Capriccio with Jonas Kaufmann (his one-and-only Flamand) and Christopher Maltman vying for Soile Isokoski.
On this day in 1959 soprano Leonie Rysanek made her Metropolitan Opera debut as Lady Macbeth.
American soprano Gianna Rolandi died Sunday morning, according to a number of her friends and colleagues. She was 68.
Saturday marks the centenary of Julius Rudel’s birth which Trove Thursday celebrates with Le Coq d’or, Faust and Ariodante, a triple-bill showcasing his impressive versatility, featuring Beverly Sills and Norman Treigle, two of the most important artists he nurtured during his leadership of the New York City Opera.
Who will prevail in Trove Thursday’s Fidelio Drag Race finals: Gwyneth Jones/Leonard Bernstein 1970 or Julia Varady/Nikolaus Harnoncourt 1986?
A live broadcast of the prologue to Ariadne auf Naxos featuring Julia Varady, a favorite sopranos in a role she sang only rarely.
Sony Classical has now released “Leontyne Price Prima Donna Assoluta” containing nearly her entire operatic oeuvre in a box set.
“Trove Thursday” presents Sena Jurinac‘s radiant portrayal of Janacek’s Jenufa opposite the implacable Kostelnicka of Martha Mödl.
Myto’s transfer of Herbert von Karajan’s star-bedecked 1958 Die Walküre from La Scala gives collectors on a budget access to one of the legendary performances committed to tape.
Fidelio but with an unhappy ending, Bedrich Smetana’s stirring Dalibor opens 2016’s “Trove Thursday” in a 1968 German-language broadcast from Bavarian Radio.
If works like Salome and Erwartung defined modernism in the first decades of the 20th century, Die Tote Stadt and Palestrina represented the regressive avant garde.
A great man has passed and our consolation is that so much of his art has been preserved for us on recordings.
A new CD features the ten most gorgeous minutes recorded by a tenor in Wagner since World War II.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.