Recent Stories
Happy Halloween, cher public!
On this day in 1940, the musical Panama Hattie opened at the 46th Street Theatre, to run 501 performances.
A conversation with maestro Gil Rose of Odyssey Opera.
On this day in 1956 Maria Callas made her Metropolitan Opera debut as Norma.
Sunday’s Richard Tucker Gala at Carnegie Hall was unusually satisfying despite a less than usually superstarry line-up.
Born on this day in 1898 costume designer Edith Head.
“Tony could only sing one note and the note he sang was this…”
On this day in 1958 the Metropolitan Opera opened its season with Tosca, featuring Renata Tebaldi, Mario del Monaco and George London.
Grand Tier Grab Bag
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Otherwise occupied
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Northern star
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
On Site Opera’s Turn of the Screw, an immersive production set in the Bronx’s Wave Hill Gardens, featured mostly good singing and a few directorial and technological missteps.
At Friday night’s performance of La Bohème at the Met, the cast seemed to lean into (and gamble upon) the production’s enduring popularity.
On this day in 1959 mezzo-soprano Giulietta Simionato made her Metropolitan Opera debut as Azucena.
Lise Davidsen, who makes her role debut tonight as Leonore in Fidelio, is still very early in what appears to be a most promising career.
Born on this day in 1926 soprano Galina Vishnevskaya.
Like any good gay theatergoers, we seek out Tennessee Williams revivals with the fervor of truffle-sniffing pigs.
Trove Thursday presents Michael Fabiano in one of his specialties as the dashing hero of Il Corsaro torn between Tamara Wilson and Nicole Cabell.
Talk of the Town
A favorite art song performance from Mr. Portafiori
I have always loved this recording of Canteloube‘s Chants d’Auvergne sung by Dawn Upshaw and conducted by Kent Nagano.
I have always loved this recording of Canteloube‘s Chants d’Auvergne sung by Dawn Upshaw and conducted by Kent Nagano.
A favorite art song performance from Mister Snow
Jessye Norman really embraces elements of the song falling somewhere between classical art song and popular ballad.
Jessye Norman really embraces elements of the song falling somewhere between classical art song and popular ballad.
A favorite art song performance from La Grunowa
Janet Baker sings Elgar‘s Sea Pictures with such honesty and clarity and fervor.
Janet Baker sings Elgar‘s Sea Pictures with such honesty and clarity and fervor.
A favorite art song performance from Ben Miller
It’s not where you start but where you Finnish
It’s not where you start but where you Finnish
A favorite art song performance from Timothy Gray
Wolfgang Holzmair‘s performance was amazing in its personal and intimate approach.
Wolfgang Holzmair‘s performance was amazing in its personal and intimate approach.
A favorite art song performance from Peter Russell
William Parker‘s career launch coincided with the closet door fully opening for American male classical vocalists; the cruel irony is that Will was also an early AIDS casualty, gone in 1993 at 49.
William Parker‘s career launch coincided with the closet door fully opening for American male classical vocalists; the cruel irony is that Will was also an early AIDS casualty, gone in 1993 at 49.
Opéra Royal revives Grétry’s Richard Cœur-de-lion, one of the finest examples of the opéra comique genre.
Sunday evening Los Angeles Opera presented tenor Javier Camarena in recital to a wildly enthusiastic audience from the stage of the Dorothy Chandler Pavilion.
Happy 64th birthday soprano Cheryl Studer.
Of more than 13,000 tickets to the ROH’s Fidelio starring Jonas Kaufmann, only “hundreds” will be made available to the public.
She’s traveled the world from Moscow to Minsk.
Born on this day in 1844 actress Sarah Bernhardt.
How does one make a performance of standard opera repertoire like Mozart’s Le nozze di Figaro feel “fresh?”
With all the greatest respect for Jessye Norman as an artist, I do wish people would stop quoting her vain and defensive statements about critics as if she were some kind of oracle.