Christopher Corwin

Christopher Corwin began writing for parterre box in 2011 under the pen name “DeCaffarrelli.” His work has also appeared in , The New York Times, Musical America, The Observer, San Francisco Classical Voice and BAMNotes. Like many, he came to opera via the Saturday Met Opera broadcasts which he began listening to at age 11. His particular enthusiasm is 17th and 18th century opera. Since 2015 he has curated the weekly podcast Trove Thursday on parterre box presenting live recordings.

The Multiverse of Morley

A Trove Thursday Mega-Post © featuring the wonderful American soprano Erin Morley in Orff’s Carmina Burana and Richard Strauss’s Brentano Lieder, plus extended live excerpts from Handel’s Orlando, Mozart’s Die Entführung aus dem Serail, and Meyerbeer’s Les Huguenots.

The slave who would be queen

The Met’s Nabucco revival was an early pandemic casualty and it’s unlikely to be rescheduled anytime soon as its raison d’être has been (at least temporarily) banished, so Trove Thursday programs Verdi’s early success with Rita Hunter, Kostas Paskalis and Ferruccio Furlanetto, plus a cabaletta-quiz in which 15 sopranos tackle “Salgo già!”

Seria effect

While it must be admitted that Elza van den Heever doesn’t have an ideally warm and agile Handel voice, she evidenced fierce control over her instrument and skillfully built a powerful portrait of the courageous Rodelida fighting for her survival.

Bag it up

Jaromir Weinberger’s Svanda dudák is rarely performed at all and more often than not in German rather than its original Czech, so Trove Thursday inevitably offers Schwanda der Dudelsackpfeifer from Dresden with Marjorie Owens, Tichina Vaughn, Christoph Pohl and Ladislav Elgr.

French twist

The Met’s new Don Carlos has prompted a lot of discussion lately about opera-in-translation, so Trove Thursday this week offers two works unexpectedly performed in French: Rimsky-Korsakov’s Snegourotchka and Weber’s Euryanthe.

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