The tiny but mighty Divas In Drag Italian Opera Company returns with a true Gaysamtkunstwerk.
Wagner must intrude at some point because he invented film music.
For an ecstatic outburst lasting less than a minute I swiftly gathered up an exaltation of Sieglindes from live performances spanning nearly 80 years. In fact, there were so many I decided to split up the quiz into three parts.
I never imagined I’d see such a rote park-and-bark Wagner production created in 2020!
Karita Mattila’s Ortrud, taut conducting, and a remarkable debut emerge from Richard Jones’s dreary Lohengrin Konzept.
A hefty thunderclap shook Tanglewood’s Koussevitzky Shed just as Andris Nelsons raised his baton for the third act of the weekend’s concert Die Walküre.
Tannhäuser pales beside the other great Wagnerian operas in the degree to which it has innovated the Regisseur’s vocabulary for set design and dramaturgy.
Wagner’s Ring is an artistic masterpiece that is peerless in its ability to continually reveal layers of musical, theatrical, and philosophical insight
Yusif Eyvazov just let slip what we must assume is a very long-term project indeed for himself and Anna Netrebko: the title roles in Tristan und Isolde.
Live video stream from the Staatsoper Stuttgart starting at 11:00 AM.
I count myself as privileged to have witnessed Götterdämmerungat the Royal Opera House during this season’s revival of Keith Warner’s Ring.
Act Two of Wagner’s music drama with the Boston Symphony.
The Met’s magnificent revival which opened on Monday night with a superb cast under the mesmerizing leadership of Yannick Nézet-Séguin nearly converted me into a devoted Parsifal disciple.
“Heinrich, come on over for dinner! / We’ll be so glad to see you!”
In May of last year tenor Piotr Beczala and soprano Anna Netrebko sang in Lohengrin for the first time under the baton of Christian Thielemann in his home house at the Staatskapelle Dresden.
Here’s Matt Baume enjoying Der Fluch Des Engelhart,
I can scarcely remember a performance where so many conflicting thoughts raced through my mind as happened Thursday night during the Met Orchestra’s “bleeding chunks” of Wagner’s Ring at Carnegie Hall.
The production by Sebastian Baumgarten is the type of regietheater that’s not a rethinking or reconstruction, but just a hot mess.
Our dear friends over at Opera Depot are slashing prices in half on all their recordings of Tristan und Isolde in honor of the music drama’s 150th anniversary.
Mariusz Trelinski will direct Tristan und Isolde for Metropolitan Opera in a production that will premiere there on opening night 2016.