Aix tremendae, salva me Aix tremendae, salva me

Festival d’Aix-en-Provence confronts the living and the dead — and its own future — through audacious productions and an intimate world premiere.

Here, there, and everywhere Here, there, and everywhere

David Fox and Dan Johnson report on Yannick Nézet-Seguin‘s recent performances of Mahler’s Symphony No. 2 with the Philadelphia Orchestra in Philadelphia and New York.

Sea no evil Sea no evil

A muted production challenges a talented cast in San Francisco Opera’s Idomeneo

Semper Fidelio Semper Fidelio

Fidelio, which opened last week at the Metropolitan Opera, will always be relevant, I fear.