To live extravagantly
On this day in 1963 (much against Rudolf Bing‘s will) the Metropolitan Opera presented a new production of Adriana Lecouvreur.
83 pieces since 2006 — in 15 roles, at 7 companies, most often at Metropolitan Opera.
On this day in 1963 (much against Rudolf Bing‘s will) the Metropolitan Opera presented a new production of Adriana Lecouvreur.
On Thursday June 30th, San Francisco Opera closed their summer season with a one-night-only special concert celebrating Eun Sun Kim’s first season as the Caroline H. Hume Music Director, in an aptly named concert “Eun Sun Kim Conducts Verdi.”
The Judgment Scene from Aida, as performed by Lois Maxwell, lipsynching to Ebe Stignani. La Stignani needs no further introduction, but Miss Maxwell is perhaps better known even to operagoers for a non-operatic role.This is of course the 1953 Italian film of Aida that also starred the 19-year-old Sophia Loren with the voice of the […]
Sonya Yoncheva’s first-ever Princess Romazov was one of this summer’s casualties but Trove Thursday steps up with a rare 1960 in-house pirate of Giordano’s Fedora starring Renata Tebaldi, Giuseppe di Stefano and Tito Gobbi along with a pair of Tebaldi-di Stefano Puccini highlights from the early 1950s.
It used to be proverbial on the Met Opera Quiz, usually quoted by quiz master Edward Downes: “If you can’t remember where a certain plot event occurs … it happens in La Gioconda.”
Yes, there were other Giocondas if not of quite the same distinction. Chronologically…
Let’s call this meeting to order. My name is Patrick and I’m a boxset-aholic.
All of the operas of Giuseppe Verdi contain music that is worth hearing and can be rewarding in good performances.
This is one of those rare performances that makes you believe that everything Verdi was greater Way Back When.
As said at the beginning, I implied I’d rather see Don Carlo(s) and listen to Forza.
To celebrate the 100th anniversary performances of Turandot at the Met starting next week, Patrick Dillon gives a listen to seven versions of “Signore, ascolta!” for Perspectives on an Aria.
In the lead up to LA Opera’s mounting of Turandot on May 18th (hooray!) I thought I’d touch on some of my favorite recordings and new re-masters I’ve discovered. I have them all.
There were, of course, other Chénier recordings beyond the truly great ones…
Quite simply, the singers are not around today who are steeped in the tradition of verismo, or for that matter the later part of the 19th century.
In a satanic panic, this week Chris’s Cache presents trio of performances of Mefistofele
With Christmas Eve 2016 falling on a Saturday, the Met offers contrasting orchestral splendors at noon and 6 p.m.
Giacomo Puccini’s La fanciulla del West may have its detractors (Stravinsky referred to it as a “horse-opera’) but you will not find me among them.
It’s Easter season, and that can mean only one thing for opera: It’s Cavalleria Rusticana time. And I, for one, couldn’t be more excited.
Whether an opera by Puccini, Verdi, Wagner, Strauss, or Berg, Dimitri Mitropoulos brought to the podium a total understanding and love for each score he touched.
Suck it, Joseph Kerman: Puccini’s “Shabby Little Shocker” has outlived you and will probably bury us all.
On this day in 1958 the Metropolitan Opera opened its season with Tosca, featuring Renata Tebaldi, Mario del Monaco and George London.
It’s kind of shocking, when you really think about it, that the kind of international operatic model that the Royal Opera now operates on barely existed only 50 years ago. Until around 1960 most of the performances at the Covent Garden were given in English and the casting choices were enough to make the Vicar […]
On this day in 1957, Renata Tebaldi sang the title role in a new production of La traviata at the Met, directed by Tyrone Guthrie.
With help from the Met’s invaluable performance archive, here is a look back at just some of what you could have seen, and perhaps did see, on October 31st through the years at the Met.
“Trove Thursday” ushers in February with Catalani’s La Wally with a mountain-top cast of Renata Tebaldi, Renata Scotto, Mario del Monaco, Giangiacomo Guelfi and Giorgio Tozzi conducted by Carlo Maria Giulini.
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