Alone in the world
Step aside, Texas: “Everything is bigger at Aida” is the motto of the Met’s second attempt at retiring Sonja Frisell’s colossal production.
26 pieces since 2007 — in 10 roles, at 7 companies, most often at Metropolitan Opera.
Step aside, Texas: “Everything is bigger at Aida” is the motto of the Met’s second attempt at retiring Sonja Frisell’s colossal production.
Hailed as the first opera by an African-American composer performed at the Metropolitan Opera, Fire Shut Up in My Bones was a huge audience and box office hit in the Fall of 2021 when it reopened the Met after two seasons shut down by COVID-19.
A co-production of Lyric Opera of Chicago, the Metropolitan Opera, and Los Angeles Opera, Fire Shut Up In My Bones blazed into Chicago as a stunning, highly emotional and moving performance.
With composer Terence Blanchard and librettist Kasi Lemmons‘ incendiary Fire Shut Up in My Bones, the Met makes long overdue history and Will Liverman ascends to superstardom.
To paraphrase Terence Blanchard’s Champion, what makes an opera an opera?
Cameron Kelsall reports on a transcendent Jenufa from the Cleveland Orchestra
I’m a long-time fan of the Opera in English series funded by The Peter Moores Foundation that started, fittingly enough, with conductor Reginald Goodall’s performances of Wagner’s Ring cycle recorded live from the London Coliseum and released by EMI
In the five short years that I’ve been in New York, I have seen that crusty old Franco Zeffirelli production of La bohème more times than I can count on one hand. And there are certainly times when that peeling mise-en-scène really shows its age.
Opera’s latest superstar, Angel Blue, in a compleat and enthralling portrayal, gloriously sung and rivetingly acted.
Porgy and Bess, George Gershwin, Ira Gershwin and DuBose Heyward’s 1935 “folk” opera, graced the stage of Dutch National Opera for the first time last month, and it was resounding success from start to finish.
“None of that sentimental crap, okay?”
L’Arlesiana in a vibrant live performance from a dozen years ago with Giuseppe Filianoti, Latonia Moore and Marianne Cornetti.
UPDATE/CORRECTION: La Cieca has just been informed that Mark Risinger (the scheduled Marco) was ill yesterday and his cover, Brian Kontes, sang in his place. There was no announcement made. La Cieca’s spy at the dress rehearsal of L’arlesiana whispers: Mr. Filianoti muffed the interpolated high note in the famous aria but it was 11:30 […]
“Trove Thursday” ushers in February with Catalani’s La Wally with a mountain-top cast of Renata Tebaldi, Renata Scotto, Mario del Monaco, Giangiacomo Guelfi and Giorgio Tozzi conducted by Carlo Maria Giulini.
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