Alone in the world
Step aside, Texas: “Everything is bigger at Aida” is the motto of the Met’s second attempt at retiring Sonja Frisell’s colossal production.
Latonia Moore
26 pieces since 2007 — in 10 roles, at 7 companies, most often at Metropolitan Opera.
26
pieces
10
roles
7
companies
20
years
By role
Role Aida
Role Billie
Blow the house down
Hailed as the first opera by an African-American composer performed at the Metropolitan Opera, Fire Shut Up in My Bones was a huge audience and box office hit in the Fall of 2021 when it reopened the Met after two seasons shut down by COVID-19.
In the line of ‘Fire’
A co-production of Lyric Opera of Chicago, the Metropolitan Opera, and Los Angeles Opera, Fire Shut Up In My Bones blazed into Chicago as a stunning, highly emotional and moving performance.
Playing with ‘Fire’
With composer Terence Blanchard and librettist Kasi Lemmons‘ incendiary Fire Shut Up in My Bones, the Met makes long overdue history and Will Liverman ascends to superstardom.
Role Emelda
A winner and new ‘Champion’
To paraphrase Terence Blanchard’s Champion, what makes an opera an opera?
Role Jenufa
Reconcilable differences
Cameron Kelsall reports on a transcendent Jenufa from the Cleveland Orchestra
Role Lady Macbeth
Crown jewel
I’m a long-time fan of the Opera in English series funded by The Peter Moores Foundation that started, fittingly enough, with conductor Reginald Goodall’s performances of Wagner’s Ring cycle recorded live from the London Coliseum and released by EMI
Role Musetta
Distinctly human
In the five short years that I’ve been in New York, I have seen that crusty old Franco Zeffirelli production of La bohème more times than I can count on one hand. And there are certainly times when that peeling mise-en-scène really shows its age.
Role Serena
All I cared about was Bess
Opera’s latest superstar, Angel Blue, in a compleat and enthralling portrayal, gloriously sung and rivetingly acted.
Wintertime, and the living is easy
Porgy and Bess, George Gershwin, Ira Gershwin and DuBose Heyward’s 1935 “folk” opera, graced the stage of Dutch National Opera for the first time last month, and it was resounding success from start to finish.
Role Sister Rose
Nun of a kind
“None of that sentimental crap, okay?”
Role Vivetta
The good shepherd
L’Arlesiana in a vibrant live performance from a dozen years ago with Giuseppe Filianoti, Latonia Moore and Marianne Cornetti.
OONY thing goes
UPDATE/CORRECTION: La Cieca has just been informed that Mark Risinger (the scheduled Marco) was ill yesterday and his cover, Brian Kontes, sang in his place. There was no announcement made. La Cieca’s spy at the dress rehearsal of L’arlesiana whispers: Mr. Filianoti muffed the interpolated high note in the famous aria but it was 11:30 […]
Role Wally
Peak performance
“Trove Thursday” ushers in February with Catalani’s La Wally with a mountain-top cast of Renata Tebaldi, Renata Scotto, Mario del Monaco, Giangiacomo Guelfi and Giorgio Tozzi conducted by Carlo Maria Giulini.
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
Win a Free Ticket to Opening Night at the Met!
Quinn Kelsey and Lise Davidsen star in the Met's new Macbeth. We're giving away one ticket, so screw your courage to the sticking place and enter now!
