Nothing makes me feel better than the 1966 Salzburg Festival <em>Nozze</em> Nothing makes me feel better than the 1966 Salzburg Festival <em>Nozze</em>

This performance truly “never fails to lift my mood.”

Nothing makes me feel better than Roberta Peters in <em>Die Zauberflöte</em> Nothing makes me feel better than Roberta Peters in <em>Die Zauberflöte</em>

Other queens have been richer of voice or more dramatically compelling, but none I have ever heard succeeds in sounding something other than human.

A favorite Wagner performance from Darby Fegan A favorite Wagner performance from Darby Fegan

The 1966 Bayreuth Festival production of Tristan and Isolde, conducted by Karl Böhm provides Nilsson with the cast she truly deserved, including Wolfgang Windgassen, Christa Ludwig, Martti Talvela, and Eberhard Waechter.

Duet to me one more time Duet to me one more time

Patrick Mack reviews yet another Puccini album from Jonas Kaufmann

Decadent genealogies Decadent genealogies

Arnold Schoenberg’s Gurrelieder and Giacomo Puccini’s Turandot are, in their different ways, the final decadent flowering of a musical tradition at its twilight.

Hoppscotch Hoppscotch

On this day in 1959 Alban Berg‘s Wozzeck had its Metropolitan Opera premiere (in English)

Jailhouse Roccos Jailhouse Roccos

Chris’s Cache wraps up November with Régine Crespin’s Chicago Leonore; two rare Met Fidelios headed by Christa Ludwig and Hildegard Behrens; and a concert performance with Birgit Nilsson led by Leonard Bernstein, plus a final twist: excerpts of Carol Vaness in Leonore.

Miss Nilsson did all the right things Miss Nilsson did all the right things

On this day in 1965 the Metropolitan Opera presented a new production of Salome.

Silent treatment Silent treatment

It is perhaps a misperception to suggest that Die Schweigsame Frau is stronger in the uncut version.

Everyone’s gone to the moon Everyone’s gone to the moon

The Met’s recent Ariadne auf Naxos and Elektra combo left me wanting more and more Richard Strauss, so Trove Thursday offers a complete Capriccio with Jonas Kaufmann (his one-and-only Flamand) and Christopher Maltman vying for Soile Isokoski.

Late bloomer Late bloomer

Teresa Zylis-Gara died in late August at 91 and Trove Thursday offers the Polish soprano in a wide-ranging collection of live material showcasing her great versatility.

Let’s twist again Let’s twist again

In San Francisco Opera’s new Così fan tutte, the elements that most visibly read as “American” were a penchant for slapstick humor, overcooked blocking, and an abundance of cartoonish period costumes that hobbled the opera’s first act.

Quicksilver princess Quicksilver princess

Trove Thursday remembers Edita Gruberová with live recordings of two of the three operas I heard her perform at the Met: a 1985 Munich La Traviata with Neil Shicoff and Wolfgang Brendel conducted by Carlos Kleiber and an I Puritani from Vienna 1994 featuring two other artists who recently left us too soon: Marcello Giordani and Dmitri Hvorostovsky.

Vierzig Letzte Lieder Vierzig Letzte Lieder

Quarantining during COVID dramatically increased my compulsion to collect and compare interpretations.

Shining through Shining through

Trove Thursday celebrates Christa Ludwig with live excerpts from 1955 through 1982.

Dies irae, dies illa Dies irae, dies illa

Trove Thursday offers Mozart’s Requiem with Lucia Popp, Christa Ludwig, Peter Schreier and Walter Berry conducted by James Levine from the 1981 Salzburg Festival.

From Lear to eternity From Lear to eternity

Ninety-five years ago, Evelyn Lear was born on January 8 in Brooklyn, and Trove Thursday remembers the soprano with one of her earliest successes: Schreker’s Die Gezeichneten co-starring her husband Thomas Stewart, Helmut Krebs and Franz Crass.

‘Tristan’ minus one ‘Tristan’ minus one

Imagine my surprise then when I discovered a new recording of Tristan und Isolde released by Navona Records, a small label based in New Hampshire that primarily focuses on recitals of chamber music, solo works, and smaller ensemble pieces.

Tusk to tusk Tusk to tusk

Mascagni’s Cavalleria Rusticana has always been a particular favorite, although I’ve only seen it staged once (and that by an amateur company the details of which I share spare you all, save to note that dinner was served during the performance.)

A soldier’s play A soldier’s play

On this day in 1959 Alban Berg‘s Wozzeck had its Metropolitan Opera premiere.

Storm of the century Storm of the century

A sense of celebration was definitely in the air last Thursday at the Vienna State Opera.

Killer queen Killer queen

Rossini’s Semiramide is a highly original and imaginative work of theater that impresses for its creative and beautifully scored orchestration, incisive recitatives and ensembles, and theatrically intriguing characters.

Wien disposition Wien disposition

Following classic recordings documenting the work of Karl Böhm and Herbert von Karajan. Orfeo’s 150 Years Wiener Staatsoper box moves on to new releases that are seeing their first incarnation on an officially available disc.

Wien to me Wien to me

Orfeo’s 150 Years box chronologically documents some of the finest nights of live opera from the Wiener Staatsoper in the years following its restoration in 1955.