Stained class
With no disrespect to Nadine Sierra, who as Lucia acquits herself honorably if not magically in vocal terms, the undisputed cause célèbre here is director Simon Stone.
Deborah Nansteel
17 pieces since 2016 — in 15 roles, at 9 companies, most often at Metropolitan Opera.
17
pieces
15
roles
9
companies
11
years
By role
Role Alisa
Role Annina
A jewel, despite the setting
The first time I heard of Ermonela Jaho it was as the ultimate understudy. In the aughts it seemed that every time Angela Gheorghiu or Anna Netrebko or whoever canceled, Jaho was standing by.
Role Aunt Lou
Small but mighty
One of the first things James Conlon did when he took over the reins as Music Director of LA Opera was create the “Recovered Voices” project, producing operas that had been suppressed by the Nazis.
Role Brigitta
Sweet dreams
Bard SummerScape’s concert staging of Die Tote Stadt emerged triumphant thanks to Clay Hilley and Sara Jakubiak.
Role Derrick Wheatt's mother
Songs of innocence
Blind Injustice is a masterpiece, brilliant theater.
Role Emilia
General, not specific
While Russell Thomas admirably goes toe to toe with Otello (and Otello) in a thoughtful and self-aware way, the assumption feels like a work in progress if not an outright mismatch with his vocal gifts.
Role Gertrude
Sher on this shining night
Bartlett Sher’s “new to Chicago” production of Romeo et Juliette came to the Lyric Opera at Monday’s opening after appearances at Salzburg and Milan.
Role Giovanna
A game of hoarse
Baltimore Symphony Orchestra’s concert Rigoletto hits some vocal turbulence
Role Israelitish Man
Suspicious conduct
There is a strong case to be made that George Fridrich Handel is the composer most suited to the present moment.
Role Madame Larina
Love me or leaf me
Robert Carsen‘s legendary production of Eugene Onegin finally arrives in San Francisco.
Role Marquise
After the fall
Washington National Opera offered a shellshocked D.C. some much-needed diversion Saturday night, with a new production of La Fille du Regiment.
Role Mrs. Miller
Nun the wiser
Matthew Travisano has such doubts about Douglas Cuomo‘s opera recently seen at Opera Parallèle.
Role Paula
The river of dreams
The opera utilizes the idea of “magical realism,” telling a realistic story combined with elements of magic and fantasy.
Role Suzuki
Under the covers
Winter weather has taken a toll on the cast of Lyric Opera of Chicago’s revival of Puccini’s Madama Butterfly.
Role Teresa
Ain’t no mountain high enough
A new production of La sonnambula at the Metropolitan Opera is musically charming if dramatically confounding.
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