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Born on this day in 1925 actress and singer Elaine Stritch.
Two hours of bedazzlement await you.
Signs of new life at the Met caught the attention of parterrians in January.
Today is the 100th anniversary of the birth of soprano Renata Tebaldi.
“The design of the Met’s new production [of Lucia di Lammermoor] by Simon Stone suggests a present-day American Rust Belt, an area once prosperous but now fallen into decline and neglect.”
Born on this day actresses Carol Channing (1921) and Tallulah Bankhead (1902).
Happy 85th birthday to actress and activist Dame Vanessa Redgrave.
Jonas Kaufmann in the title role, with Lise Davidsen and Bryn Terfel from the Vienna State Opera.
Grand Tier Grab Bag
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
On this day in 1966 the musical Sweet Charity opened at the Palace Theatre, with Gwen Verdon and Bob Fosse collaborating.
Kristine Opolais, Jonathan Tetelman and Gábor Bretz star in a live telecast from the Theater an der Wien.
Born on this day in 1873 author and woman of letters Colette.
Jamie Barton will sing Eboli in the Met’s new production of the original five-act French version of Verdi’s Don Carlos, replacing Elina Garanca, who has withdrawn.
From the Vienna State Opera, featuring Olga Borodina in the title role.
Today is Mozart’s 266th birthday and I had already planned a Trove Thursday celebration when I learned that Maria Ewing had died on January 9.
In the last weeks of January, as the Metropolitan Opera season wound to a close (prior to the winter hiatus) two striking sopranos were thrust into the limelight.
On this day in 1961: the historic Metropolitan Opera debuts of Leontyne Price and Franco Corelli in Verdi’s Il trovatore.
Talk of the Town
A favorite Verdi performance from Krunoslav
Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
A favorite Verdi performance from Michael M. Landman-Karny
Nadine Sierra‘s Gilda at the Metropolitan Opera had that rare quality of sounding both immaculate and spontaneous, as if Verdi’s lines were being discovered in the moment rather than executed.
Nadine Sierra‘s Gilda at the Metropolitan Opera had that rare quality of sounding both immaculate and spontaneous, as if Verdi’s lines were being discovered in the moment rather than executed.
A favorite Verdi performance from Moe Rear
Tito Gobbi‘s performance of Rigoletto’s “Cortigiani, vil razza dannata” offers the most musically and dramatically complete portrait of Verdi’s tortured court jester that I have ever heard.
Tito Gobbi‘s performance of Rigoletto’s “Cortigiani, vil razza dannata” offers the most musically and dramatically complete portrait of Verdi’s tortured court jester that I have ever heard.
A favorite Verdi performance from Quinn Kelsey
I’ve looked to Sherrill Milnes many a time for insight and guidance whenever I’ve added a new Verdi role to my repertoire.
I’ve looked to Sherrill Milnes many a time for insight and guidance whenever I’ve added a new Verdi role to my repertoire.
A favorite Verdi performance from Leyla Gender-Bender
Stiffelio has always been the dark horse of early Verdi operas.
Stiffelio has always been the dark horse of early Verdi operas.
Born on this day in 1923 actress and singer Anne Jeffreys.
So that there’s no confusion: the Long Day’s Journey into Night seen here is contemporary, political, brutal, and universal.
Only time can tell if some performances enter the collective opera memory, if such a thing even exists, as “historical”
Premiered on this day in 1909 Richard Strauss‘s Elektra.
Opera Philadelphia’s return to the stage after two years was greeted by a cheering crowd who clearly would have been happy to stay longer, but as director David Devan acknowledged, this was a step in a continuing trajectory.
Born on this day in 1883 actress Estelle Winwood.
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