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On this day in 1906 a 24-year-old soprano named Geraldine Farrar made her Metropolitan Opera debut on the opening night of the season in Roméo et Juliette.
Rossini’s comic opera, recorded November 16 at the Theater an der Wien.
Show business fables often involve an ambitious, if naïve, ingenue (male or female) desperate for fame. This young wannabe finds fame and fortune: but it comes at a cost.
Soprano Lydia Grindatto confirmed the fine impression she had made at Giargiari vocal competition with a charismatic, thoroughly inhabited performance that showed careful preparation in every aspect.
On this day in 1885, soprano Lilli Lehmann made her Metropolitan Opera debut in the title role of Carmen (in German, of course.)
On this day in 2000 soprano Nina Stemme made her Metropolitan Opera debut as Senta.
The film of The Hours failed to effectively weave together the novel’s trio of threads of interiority about suicide and secondarily literary creation. I wondered if an opera would stand a better chance at achieving that? Based on Tuesday’s diva-encrusted stage premiere of Kevin Puts and Greg Pierce’s The Hours, its creators didn’t pull it off either.
On this day in 1940 the Metropolitan Opera opened its season with La Fille du Régiment, starring Lily Pons and featuring the “Casablanca” finale!
Grand Tier Grab Bag
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
On this day in 1965 Montserrat Caballé and Sherrill Milnes made their Metropolitan Opera debuts in Faust.
No one who followed Trove Thursday will be surprised that Diva November on Chris’s Cache today features Ann Hallenberg and Sandrine Piau.
Lyric Opera of Chicago’s Don Carlos was a real feast of good singing and orchestral grandeur.
I have a horrible confession. I’ve always judged the quality of an opera largely on the number of dead characters at the finale.
All things were, indeed, made new again, when Boston’s venerable Handel & Haydn Society brought Mozart’s Le nozze di Figaro to the stage, their first time doing so in its entirety, as their 2,576th concert on Thursday.
On this day in 1967 Herbert von Karajan bowed at the Metropolitan Opera in a new production of Die Walküre which he directed and conducted.
On this day in 1953 the Metropolitan Opera presented a performance of Le nozze di Figaro featuring the debuts of Irmgard Seefried and Lisa Della Casa.
Talk of the Town
A favorite Verdi performance from Leyla Gender-Bender
Stiffelio has always been the dark horse of early Verdi operas.
Stiffelio has always been the dark horse of early Verdi operas.
A favorite Verdi performance from Lou Ann Darras
I have very few opportunities to see real-life opera divas, but when Natalie Dessay chose to debut her first Traviata at Santa Fe, there was no way I was going to miss it.
I have very few opportunities to see real-life opera divas, but when Natalie Dessay chose to debut her first Traviata at Santa Fe, there was no way I was going to miss it.
A favorite Verdi performance from Astyanax
The air held a real charge that night in SF’s War Memorial Opera House.
The air held a real charge that night in SF’s War Memorial Opera House.
A favorite Verdi performance from Ivy Lin
This is one of those rare performances that makes you believe that everything Verdi was greater Way Back When.
This is one of those rare performances that makes you believe that everything Verdi was greater Way Back When.
A favorite Verdi performance from Mister Snow
Nothing prepared me for the Soviero experience
Nothing prepared me for the Soviero experience
A favorite Verdi performance from Tildy Diva
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
There are no words superlative enough to describe this celebration of Orpheus’ grief, and I truly applaud San Francisco Opera for presenting such food for thought that will definitely resonate long after with me.
A recording of a live performance of Wagner’s music drama from Seattle Opera.
On this day in 1992 the Metropolitan Opera presented a new production of Lucia di Lammermoor directed by Francesca Zambello (not pictured.)
On this day in 1949 the Metropolitan Opera opened their season with a televised(!) performance of Der Rosenkavalier.
Sondra Radvanovsky eschewed the customary stuffiness of the recital format, often speaking directly to the audience and putting her selections in a highly personal context.
On this day in 1919 the Metropolitan Opera opened its season with a revival of Tosca starring Geraldine Farrar, Enrico Caruso and Antonio Scotti.
San Francisco Opera has unveiled a brand-new production of Giuseppe Verdi’s warhorse classic La traviata, the first “to be built in San Francisco Opera’s scene and costume shops in 35 years.”
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