Renegade princess Renegade princess

Yulia Matochkina will make her Met role debut as Eboli in Verdi’s Don Carlo, replacing Anita Rachvelishvili.

Crossing over Crossing over

On this day in 1996 Mirella Freni took on the title role in the Metropolitan Opera’s new production of Fedora.

Tosca Tosca

The Puccini evergreen, featuring Aleksandra Kurzak, Michael Fabiano and Luca Salsi.

If they could turn back time If they could turn back time

Yuval Sharon at Boston Lyric Opera has brilliantly found an interpretative middle ground for La bohème by presenting the acts in reverse order.

Infanticide is painless Infanticide is painless

Sondra Radvanovsky‘s mean, moody, magnificent Medea fascinated the cher public as the season kicked in at the end of September.

Rome wasn’t built in a day Rome wasn’t built in a day

On this day in 1968, the Metropolitan Opera debuted a new production of Tosca (the company’s first since 1917!) featuring Birgit Nilsson and Franco Corelli.

Together again for the first time Together again for the first time

On this day in 1966 Birgit Nilsson and Franco Corelli sang Turandot in the new Metropolitan Opera house at Lincoln Center where, according to reports, they were louder than ever.

Exotic asphyxiation Exotic asphyxiation

Both the mise-en-scène and the musical direction amplified the absolute worst tendencies of the Opéra Comique’s Lakmé in the most tasteless and baffling ways.

What we do in the shadows What we do in the shadows

On this day in 1966 the Metropolitan Opera offered the company premiere of Die Frau ohne Schatten.

Tannhäuser Tannhäuser

Lise Davidsen and Le Gateau Chocolat reunite for this performance from the 2022 Bayreuth Festival.

Ocean, thou mighty monster Ocean, thou mighty monster

Michael Spyres’s nobly moving Idomeneo wasn’t just a bravura triumph: singing strongly throughout, he brought more colors to his portrayal of the tortured king than I had experienced from others in the Ponnelle production.

Full chested Full chested

On this day in 1976 mezzo-soprano Elena Obraztsova made her first Metropolitan Opera appearance as part of the “Met Marathon” fundraising gala.

So damn bored So damn bored

It’s nasty world, Shostakovich seems to say, where life alternates between boring and terrifying.

“Laiden with happiness and tears” “Laiden with happiness and tears”

Director Barrie Kosky brings to Fiddler on the Roof fascinating ideas, fine casting, equal mixes of comedy and sadness, and, from the beginning, a sense for we of the audience that we were about to spend three hours in very good hands.

Blue skies smiling at me Blue skies smiling at me

On this day in 1996 the Metropolitan Opera opened its season with a revival of Andrea Chenier starring Luciano Pavarotti and Maria Guleghina.

Fresh princess Fresh princess

Diva of the moment Sondra Radvanovsky previews yet another great role: Puccini’s Turandot.

Lost without your love Lost without your love

On this day in 2003 the Metropolitan Opera opened its season with a revival of La traviata featuring Renée Fleming.

How do you solve a problem like ‘Medea’? How do you solve a problem like ‘Medea’?

Sondra Radvanovsky has an unconventional voice that is suited to unconventional characters and is best used in rangy, difficult music.  The lack of lush beauty was no deficit in depicting Medea’s jealousy and vengeful rage.

Rachmaninoff three ways Rachmaninoff three ways

A troika of operas by Rachmaninoff: Aleko , The Miserly Knight and Francesca da Rimini , courtesy of Odyssey Opera.

Love me or leaf me Love me or leaf me

Robert Carsen‘s legendary production of Eugene Onegin finally arrives in San Francisco.

In the midnight tower In the midnight tower

On this day in 2011, the Metropolitan Opera opened its season with a new production of Anna Bolena.

Ex machina Ex machina

On this day in 2010, the Metropolitan Opera opened it season with Das Rheingold, the first installment in the catastrophic Robert Lepage production of the Ring.

Medea Medea

Live broadcast of the Metropolitan Opera’s opening night, featuring Sondra Radvanovsky in the title role.

A touch of class A touch of class

For the season opener, Opera San José decided to explore the class conflict central to Le nozze di Figaro by transporting the opera to India, specifically during the British Raj.