Tears of a clown Tears of a clown

On this day in 1960 tenor Jon Vickers made his Metropolitan Opera debut as Canio.

Pragmatism and ideology Pragmatism and ideology

It doesn’t get more classic than John Dexter‘s Dialogues des Carmélites.

Behind closed doors Behind closed doors

On this day in 1989, the Metropolitan Opera presented a new production of the double bill of Bluebeard’s Castle and Erwartung.

Winter meeting Winter meeting

On this day in 1958 Samuel Barber‘s Vanessa had its world premiere at the Metropolitan Opera.

Fedora Fedora

Live from the Met: Sonya Yoncheva sings the title role of the 19th-century Russian princess, opposite Piotr Beczala as the dashing Count Loris.

A mildness that agrees with my throat A mildness that agrees with my throat

On this day in 1951 soprano Marguerite Piazza made her Metropolitan Opera debut as Rosalinde in Fledermaus.

‘Elisir’ not quite ‘rara qualita’ ‘Elisir’ not quite ‘rara qualita’

On paper, the Met’s revival of L’elisir d’amore looked like a lovely evening.  And at times it was—a few scenes hinted at what it could be and what it might yet become.

Rock steady Rock steady

On this day in 2003 the Metropolitan Opera presented a new production of Jenufa.

A little while ago A little while ago

On this day in 2008 Elina Garanca made her Metropolitan Opera debut as Rosina.

Rebranding the Met Rebranding the Met

A quick survey of the Met website shows wide swaths of available seats for the upcoming performances of La traviata and L’elisir d’amore.  Only new works like The Hours and Fire Shut Up in My Bones have been achieving sold-out houses.

Mass appeal Mass appeal

A week from tonight Franz Welser-Möst brings the Cleveland Orchestra and Chorus to Carnegie Hall for a rare performance of Schubert’s Mass No. 6 in E-flat Major, D 950.

“The ideal Sieglinde” “The ideal Sieglinde”

On this day in 1934 soprano Lotte Lehmann made her Metropolitan Opera debut as Sieglinde.

L’elisir d’amore L’elisir d’amore

Featuring Golda Schultz as the clever Adina and Javier Camarena as the hapless Nemorino.

The world is treating me bad The world is treating me bad

We constantly wonder whether the young man will embrace him—or slit his throat.

Dad flawed Dad flawed

Du Yun is the Pulitzer Prize-winning composer of Angel’s Bone. Her new opera, In Our Daughter’s Eyes, a one-act monodrama for bass-baritone and an orchestra of six, opened the current tenth Prototype Festival, in a performance at the Baruch Performing Arts Center, starring erstwhile Met regular Nathan Gunn.

The complete package The complete package

On this day in 2002, Juan Diego Flórez made his Metropolitan Opera debut as Almaviva.

How stable everything appears How stable everything appears

Plink. A marble drops into a bowl. A brief yelp from glass, and a dozen, a hundred, a thousand years pass. Eventually the bowl is full of marbles, each one a tiny globe.

Dream girl Dream girl

Born on this day in 1915 actress Anita Louise.

A jewel, despite the setting A jewel, despite the setting

The first time I heard of Ermonela Jaho it was as the ultimate understudy.  In the aughts it seemed that every time Angela Gheorghiu or Anna Netrebko or whoever canceled, Jaho was standing by.

Village people Village people

On this day in 1970 the Metropolitan Opera presented new productions of Cavalleria Rusticana and Pagliacci.

“Ne me refuse pas!” “Ne me refuse pas!”

So, give me three good reasons we should not hear Jamie Barton as the mother of Salomé?

Medea Medea

“Sondra Radvanovsky has an unconventional voice that is suited to unconventional characters and is best used in rangy, difficult music,” as heard on today’s Met broadcast.

“The greatest dream” “The greatest dream”

On this day in 1955 contralto Marian Anderson made her historic Metropolitan Opera debut.

Nacht im Haus Nacht im Haus

On this day in 1949 tenor Max Lorenz sang his first Tristan of the season at the Metropolitan Opera.