Reviews
Turmoil and injustice in the federal government; turmoil and grief in the Catholic Church: the time sure seems right for a staging of Francis Poulenc’s Dialogues des Carmélites.
Elina Garanca is back at the Met for the first time since 2020 — her Amneris is, in a word, sensational.
A Baroque Valentine’s with Opera Lafayette | Feb | DC & NYC
Celebrate love in all its guises with tender ballads, amorous duets, cheeky verses, and bawdy drinking songs plus food, cocktails and wine.
A fine Don Giovanni at Opera Philadelphia rounds out the company’s inaugural season under Anthony Roth Costanzo
Opera San José (OSJ) concluded its eclectic 41st Season with another first, Héctor Armienta’s Zorro, which received its Northern California premiere at the California Theatre on Friday, April 19th.
Breaking the Waves and Tannhaüser at Houston Grand Opera are a can’t-miss doubleheader of sex and miracles.
The long-awaited Broadway musical adaptation of the NBC series Smash is “not Bombshell – it’s just a bomb,” according to David Fox and Cameron Kelsall.
A feast of whimsy for the recently resurrected in Aaron Siegel’s new opera, Rainbird
Félix Fourdrain‘s “féerie” Les Contes de Perrault by the Frivolités Parisiennes is as fun for adults as it is for children
By the time the curtain rose on Verdi’s Luisa Miller last Sunday in Washington Concert Opera’s final show of the season, the originally announced line-up was about as accurate as a federal agency org chart from February.
It began with charming modesty.
Don Carlos returns to the Opéra National de Paris and it’s an unusually happy occasion
Missy Mazzoli has established herself as one of contemporary opera’s most skilled and subtle architects of emotional response, and her latest, The Listeners—now at the Lyric Opera of Chicago—is no exception.
The nail-biting adventures of Voltaire’s titular hero Candide are hardly more circuitous than those faced by Leonard Bernstein’s 1956 Broadway musical adaptation.
BAM is back!
Boop! The Musical arrives on Broadway with plenty of colorful glitz, glamour, and talent with an empowering message for women to find their inner confidence to succeed and lead
A muted and merry carousel ride out of feudalism in the Met’s production of Le nozze di Figaro
A parade of young singers delight in an intimate Madama Butterfly at Amore Opera
Before this weekend, I never thought I would want to leave an opera by Act I. The recent production of Puccini’s La bohème at the Lyric Opera of Chicago taught me that there’s a first time for everything.
IN Series concluded its exploration of the works of Claudio Monteverdi with a production of the composer’s final opera, L’incoronazione di Poppea, performed with the addition of Indian music and dance.
Pascal Dusapin‘s dynamic and demanding traversal of Dante‘s Commedia arrives at the Paris Opera
Audacious star performances elevate safe direction in Richard II and The Seagull on London’s West End
Look, for one of the most-staged operas in the repertoire, Mozart’s Die Zauberflöte seems awfully difficult to stage.
Back to Rameau again this week with Samson at the Opéra Comique, my third Rameau production in as little as three months, after Les Fêtes d’Hébé in the same house, and Castor et Pollux at the Palais Garnier.
A grand concert from Angel Blue has Patrick Mack wondering, “where’s her crossover album?”
STEMdiva status
Ahead of a special boozy, bawdy Valentine’s Day concert, artistic director of Opera Lafayette Patrick Quigley speaks with soprano Maya Kherani about her journey from MIT to rising American Baroque star.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.