Must the winter come so soon?
Less than two weeks remain to submit to this fall’s The Talk of the Town!
Less than two weeks remain to submit to this fall’s The Talk of the Town!
Two experiments in opera — Opera Philadelphia‘s Complications in Sue and Heartbeat Opera‘s MANON! — receive worthy recordings.
Thea Musgrave’s Mary, Queen of Scots could learn to lighten up.
One mezzo I have always enjoyed was Elena Obraztsova.
I’ve been an Elena Obraztsova superfan since I was 16.
Louise Alder enchants in the comically-inclined revival of Claus Guth’s production of Semele at the Bayerische Staatsoper.
Brigitte Fassbaender tears through the role like no other.
Iwona Sobotka, a favorite of Riccardo Muti, is this week’s featured Grand Tier Grab Bag artist
Most stunning mezzo performance in the premiere of an opera at the Met.
Amartuvshin Enkhbat is superb in Verdi’s Simon Boccanegra in San Francisco — even if the drama offstage is more persuasive than this new production.
Richard Lynn muses on whether the Met can make good on its exciting new promise of “Opera For All” while the goals of its $1.5 billion fundraising campaign remain murky.
Tenet Vocal Artists‘s first-ever opera production, of Monteverdi’s Orfeo, soars to Platonic ideals.
The Metropolitan Opera gets its freak on — or about as close as it can — in a revival of its Coney Island-set production of Così fan tutte.
Yannick Nézet-Séguin opens Philadelphia’s symphonic season in typically sunny style with programs feautring Beethoven, Brahms, and Bernstein.
Last September I was most excited by Handel oratorios being performed during the 2025-26 season. This time I’m really looking forward to three of the composer’s operas arriving within a few weeks of each other in Spring 2027.
Monteverdi’s L’Orfeo by Haymarket Opera and The Newberry Consort takes its audience to heaven while its title character goes to hell.
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