Voices of the past
Rhiannon Giddens and Michael Abels’s Omar fascinates and frustrates in equal measure in Chicago.
Bradford Case is a PhD student in English at the University of Chicago. A bassoonist and former music director of Yale's Berkeley College Orchestra, he is currently the Editor of Chicago Review.
Rhiannon Giddens and Michael Abels’s Omar fascinates and frustrates in equal measure in Chicago.
In its third revival, Lyric Opera of Chicago‘s production of Don Giovanni nails its predatory Don — but falls short dramatically with its donne.
Monteverdi’s L’Orfeo by Haymarket Opera and The Newberry Consort takes its audience to heaven while its title character goes to hell.
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