American Bach led a stirring rendition of Handel’s Ode for St. Cecilia’s Day, full of big questions and even bigger musical highlights.
As we reach the end of “Bass Month” I’d like to call attention to the superb American Gregory Reinhart who particularly shone in music by Jean-Philippe Rameau.
American Bach brings out the operatic side of Bach in a program featuring sparkling vocal talents.
James Gaffigan, the incoming Music Director of Houston Grand Opera, strikes a balance between New World precision and Old World flair in repertoire, staging, and wine
To bring a well-known story to the stage, many methods are available.
New York shall never be in need of another Messiah to assist to during the holiday season, but a new tradition is beginning to crystallize at the cavernous St. John the Divine to rival it.
There is a strong case to be made that George Fridrich Handel is the composer most suited to the present moment.
The program for Jasmine Rice LaBeija’s concert as part of Works & Process at the Guggenheim on Wednesday, March 8 read a bit like a curriculum vitae.
Trove Thursday previews next week’s BBC Proms presentation of Elgar’s The Dream of Gerontius with a 2008 broadcast conducted by Colin Davis with Sarah Connolly, Ben Heppner and Gerald Finley.
The July-August timeframe in the San Francisco Bay Area is always exciting time in terms of opera.
Part vaudeville, part opera concert and part drag ball, Heartbeat Opera’s pageant was like a cup of eggnog spiked with a dash of LSD.
Dame Janet Baker turns 87 tomorrow and Trove Thursday celebrates with Handel’s rare Admeto conducted by the great Sir Anthony Lewis in which Baker’s bold Alceste vies with Sheila Armstrong’s sparkling Antigona for her deluded husband Admeto’s affections.
Trove Thursday couldn’t wait until Passover to offer Mendelssohn’s Elijah featuring two of my favorite singers, Gabriela Benacková and José van Dam, joined by Florence Quivar, Francisco Araiza and Thomas Moser.
Each year, when I take in a performance of Messiah by the Philadelphia Orchestra as part of my own holiday tradition, I hope it will spark some new and exciting feeling inside of me, or offer a new way of looking at the musical drama as a whole.
In recent weeks local and visiting groups performed refreshing rarities by Zelenka, Domenico Scarlatti and Telemann so engagingly that one didn’t miss the old standbys at all.
Trove Thursday presents a double dose of the Verdi Messa da Requiem performed by the Los Angeles Philharmonic.
Benjamin Yarmolinsky’s The Constitution: A Secular Oratorio, performed by Vertical Player Repertory on Thursday evening, was an awful lot of legal speak for one evening.
The Paris Opera continued their 350th anniversary celebration January 26 with a brand new production of Alessandro Scarlatti’s 1707 oratorio Il Primo Omicidio ovvero Caino.
Philadelphia is a city famous for its musical institutions—so, of course, at this time of year Messiah performances abound.
J.S. Bach doesn’t get a lot of attention on this site although he wrote tons of vocal music.
“Trove Maundy Thursday” offers a recent un-HIP version of Handel’s Messiah.
William Christie’s Les Arts Florissants made a much-anticipated appearance at Lincoln Center’s White Light Festival Saturday performing Theodora.
His shaved head in striking contrast to his dark beard and glinting eyes, the implacable Tartar conqueror glowers at us from the CD cover, while the uncropped photo of countertenor Xavier Sabata (above) is even more disturbing, featuring his raised fist and forearm tightly wrapped in a leather belt.
We must be doubly grateful that The English Concert’s recent Theodora was so quickly followed by the American Classical Orchestra’s fine Samson on Tuesday evening at Alice Tully Hall.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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