Gluck’s sublime Orfeo ed Euridice makes a welcome return to the Met.
I find it difficult to experience Madama Butterfly without also experiencing an odd fracturing of the self.
A second helping of The Gershwins’ gorgeous folk opera from the Met.
There were plenty of Turan-do’s and only a few Turandon’ts at the Met’s Turandot Sunday afternoon.
I can’t think of an opera this year that I’ve enjoyed as much as Tuesday’s Met Macbeth, thanks especially to the smashing house debut of Italian soprano Anna Pirozzi as its blazing Madame M.
Bass-baritone Craig Colclough makes his Met debut tonight in the title role of Macbeth.
My blood sure boiled at this revival of the Met’s utterly punchable production of Macbeth.
At the Met’s performance of Manon Tuesday evening, Michael Fabiano made as good a case as any for renaming the opera Chevalier des Grieux.
Opera’s latest superstar, Angel Blue, in a compleat and enthralling portrayal, gloriously sung and rivetingly acted.
“Here’s just one more catastrophic crisis — and it seems that at the Met, sufficiently powerful, popular men are beyond reproach.”
“Yusif Eyvazov will sing Hermann in the performances of Tchaikovsky’s The Queen of Spades on December 8, 14, and 21, replacing Aleksandrs Antonenko.”
An “Anti-Harassment Workshop” was scheduled at the Met today in the same room where Plácido Domingo was rehearsing for this season’s revival of Macbeth.
This season, the Metropolitan Opera offers the opportunity for “loyal supporter[s} of the Met” to revel in home versions of Live in HD telecasts for “a tax-deductible contribution of $10,000, over and above one’s current annual Patron commitment.”
It’s time for Plácido Domingo to man up and withdraw from the Met’s 2019-2020 season.
Bass Zachary James models his brand-new tattoo of the winged sun featured in the Philip Glass Akhnaten scenic design by Tom Pye.
“Pitting the eminent conductor James Levine against the Metropolitan Opera, which fired him in 2018 amid accusations of sexual misconduct…”
La Cieca hears that for the first time in recorded history, the Metropolitan Opera will have an official presence in the Pride March this Sunday.
Staatsoper Berlin and the Met are programming Ken Ludwig‘s classic Lend Me a Tenor.
For more than 40 years, the magnificent opening image from Francis Poulenc’s Dialogues des Carmélites has served as an icon for the Met.
The final streaming broadcast of the Met season is beginning!
The Metropolitan Opera has named soprano Lisette Oropesa as the winner of the 14th annual Beverly Sills Artist Award.
Cycle II represented an embarrassment of musical riches.
It was quite a pleasure—a privilege, really—to see John Dexter’s legendary production of Poulenc’s Dialogues des Carmélites.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
×
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.