This new production of Verdi’s grand opera will star Piero Pretti, Marina Rebeka, Luca Micheletti and Simon Lim.
Shortly before Tuesday’s performance of Salome at La Scala, I did something I rarely do: I took a mirror selfie.
Only time can tell if some performances enter the collective opera memory, if such a thing even exists, as “historical”
Riccardo Chailly conducts a new production of Verdi’s tragedy featuring Luca Salsi, Anna Netrebko, Ildar Abdrazakov and Francesco Meli.
This solid if not stellar performance finds our diva in particularly passionate form. Maybe they should have re-titled it Maddalena?
Live from La Scala with Elena Stikhina, Wolfgang Koch, Gerhard Siegel and Linda Watson. Zubin Mehta Riccardo Chailly conducts.
La Scala opens with an ultra-starry gala.
The opening night of a new production of Verdi’s opera (plus Lisette Oropesa‘s La Scala debut!) will be broadcast live starting at 2:00 PM.
“How far should we give way to grief? How far dare we, without disaster?”
Ardent Angel Blue will jump into performances vacated by the collapsible Sonya Yoncheva at La Scala.
“Non mi dispiace” seemed to be the general consensus in the loggione December 7 when Verdi’s Attila came roaring into La Scala to open the 2018-19 season.
Patrice Chéreau‘s Elektra brims with ideas beyond its eschewing of the opera’s standard, hysterical trappings.
Uneven operas, like Verdi’s Ernani, which just recently finished its Scala run, more often work as theatre on the micro level than the macro.
If opera as a genre in justified in its claim to one particular story, history confirms that the Orpheus myth would be that story.
On Thursday evening, the Teatro alla Scala audience didn’t watch the familiar presentation of a “wayward woman” who overcomes moral inferiority only to be robbed of happiness when she finally deserved it.
La Scala’s 2017-2018 season will open with a new production of Andrea Chenier starring Anna Netrebko and Yusif Eyvazov.
The one glitch was a much-publicised fiasco in the bear-pit of Milan’s La Scala, where in 1998 she was booed after her performance in Donzietti’s Lucrezia Borgia.”
From La Scala, starting at 11:00 AM ET, a “Backstage Live” view of the opening night performance of Giovanna d’Arco.
The board of La Scala voted today to oust incoming general director Alexander Pereira at the end of his first season amid allegations of a conflict of interest.
Once again, beloveds, we approach the Milanese shrine that simultaneously attempted to cultivate and destroy the career of Maria Meneghini Callas.
The celebrated “lost” issue of parterre box, the queer opera zine (now found, thanks to the avid cataloging of Indiana Loiterer III.)
So we may all be on the same page as we discuss, following the jump is the video of the December 7 Traviata from La Scala.