Another classic Met Live in HD performance, starring Renée Fleming, Ramón Vargas, and Dmitri Hvorostovsky, conducted by Valery Gergiev.
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This season, the Metropolitan Opera offers the opportunity for “loyal supporter[s} of the Met” to revel in home versions of Live in HD telecasts for “a tax-deductible contribution of $10,000, over and above one’s current annual Patron commitment.”
The Met Live in 2018-2020 HD series (including Joyce DiDonato‘s role debut as Carlotta Campion) is now on sale.
For more than 40 years, the magnificent opening image from Francis Poulenc’s Dialogues des Carmélites has served as an icon for the Met.
A Met HD cinema broadcast of Puccini’s Tosca on Saturday, 27 January, concluded the first run of a production marked by upheaval in the ten months between its announcement and its New Year’s Eve premiere.
I suspect that David McVicar’s new production of the Metropolitan Opera’s Norma had its most congenial showing as a totality, specifically in the HD format at the movie theater.
So, how excited are you to read another piece about the Mary Zimmerman Rusalka?
“King of the High D’s” Javier Camarena headlines an HD video performance of I puritani this afternoon live from the Compañia Nacional de Ópera in Mexico.
Welcome, cher public, to the real-time chat for this afternoon’s Met broadcast and HD of Madama Butterfly, starting at 1:00 PM.
Unlike my friend Greg Freed, who entertainingly wrote of his ambivalence about seeing Il trovatore in a movie theater this season, I have embraced the Met Live in HD transmissions as a part of the modern operagoing experience.
This is the tenth season of the Met’s HD broadcasts, not that I would know it.
This weekend Il Trovatore outgrossed the The Walk, a new IMAX film directed by Robert Zemeckis and starring Joseph Gordon-Levitt and Ben Kingsley.
Joyce DiDonato is taking her Mary Stuart on the road, so to speak.
Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.
Pytor Ilyich Tchaikovsky’s Eugene Onegin is his masterwork and its themes of social convention and unrequited longing surely struck a deep chord in a composer who, in late 19th century Russia, was gay and had to conduct himself carefully.
“Including staff benefits, Gelb says a full-time chorus member at the Met earns an astonishing $300,000 (£180,000) a year, while the players of the Met Orchestra earn more than any orchestra in the US.”
Here you are, cher public, details of the Met’s (to be perfectly frank) not particularly spectacular mid-decade season.
La Cieca asks all members of the cher public in the New York City area to pencil in 3:00 pm on Sunday, November 24 as combination meet-and-greet of the parterriani and viewing of the HD film of Les Vêpres siciliennes at Symphony Space.
American tenor Bryan Hymel will make his Met debut, singing the role on December 26, December 29 matinee, January 1, and January 5 matinee (the date of the global HD transmission).
Then and now: the “Dio ti giocondi, o sposo” duet from Otello.
La Cieca has been sniffing around her generally reliable (and fragrant) sources, and she thinks she has pieced together a list of the dozen operas to be featured in the 2013-2014 season of “The Met: Live in HD.”
