Verdi’s Stiffelio goes Amish in Vienna, featuring a stellar Luciano Ganci in the title role.
Chris’s Cache would argue that Prokofiev’s Betrothal in a Monastery is a much more enjoyable alternative to the pandemic-canceled Barrie Kosky The Fiery Angel
Christopher Corwin on three stylish sopranos delighting audiences live in New York and on recording in a trio of new releases.
A live broadcast of Prokofiev‘s opera from Vienna’s Theater an der Wien
Ahead of a broadcast in Europe on Arte on Sunday, parterre box has snagged a snippet of Asmik Grigorian‘s eagerly anticipated role debut as Norma in Vienna
If song recitals by opera stars Piotr Beczala and Asmik Grigorian sometimes came up short, Semyon Bychkov’s powerful rendition of the Glagolitic Mass instantly became one of the year’s highlights.
Chris’s Cache wishes Gundula Janowitz a happy 87th birthday today with three early live broadcasts of a favorite soprano in works by Pergolesi, Haydn, and Schumann.
The English Concert’s annual Handel tour brings Solomon conducted by Harry Bicket to the US beginning Sunday March 5. In anticipation, Chris’s Cache offers Solomon plus four other oratorios by the master: Belshazzar, Hercules, Saul and Jephtha, all via broadcasts for which I feel a personal connection.
The July-August timeframe in the San Francisco Bay Area is always exciting time in terms of opera.
The great Spanish mezzo soprano Teresa Berganza died on May 13 at the age of 89, so Trove Thursday salutes one of its favorites with a pair of dazzling rare live Mozart performances.
While seasonally-awkward streams of Messiah abound, Trove Thursday turns instead to Berlioz’s exquisite L’Enfance du Christ from francophone forces including Stéphanie d’ Oustrac, Bernard Richter, Edwin Crossley-Mercer and Nicolas Testé (for once, sans sa femme).
Who will prevail in Trove Thursday’s Fidelio Drag Race finals: Gwyneth Jones/Leonard Bernstein 1970 or Julia Varady/Nikolaus Harnoncourt 1986?
Tonight at the Met should have welcomed Barrie Kosky’s production of Prokofiev’s The Fiery Angel; in its absence Trove Thursday steps in with a recent broadcast featuring this summer’s breakout star Ausrine Stundyte as the enigmatic Renata.
Not everyone is happy about the Beethoven sestercentennial.
Later this month Asmik Grigorian will star in Covent Garden’s new Jenufa, which Trove Thursday anticipates presenting the acclaimed Lithuanian soprano in a broadcast from 2014 of Tchaikovsky’s rare opera The Enchantress (Charodeyka).
“Trove Thursday” presents a complete Prodanà Nevesta (aka Die Verkaufte Braut, of course) by Smetana plus extended excerpts from a broadcast of Spontini’s La Vestale in its rarely heard original French version.
In this recital, the Polish bass-baritone Tomasz Konieczny and his pianist Lech Napierala present the world premiere recording of Stanislaw Baranczak‘s Podróz Zimowa (Winter’s Journey), which weds the poet’s meticulously crafted poetry to the music of Franz Schubert.
Once again we got a very frustrating performance of Orlando; this time a beautiful and completely coherent production marred by some sub-optimal singing.
Claus Guth, in a staging of Handel’s Orlando for Theater an der Wien, decided to revisit a PTSD theme.
“Trove Valentine’s Day” further stokes Semiramis-fever with another of the celebrated works about the infamous queen: La Semiramide riconosciuta, a superb 1729 opera by Nicola Porpora.
Bard College presented a semi-staged concert of Halka on Saturday evening as part of its impressively wide-ranging two-week “Chopin and his World” festival.
I finally get to complete my personal operatic Top Ten this week with Igor Stravinsky’s only full-length opera, The Rake’s Progress.
The glorious and beloved Elisabeth Söderström tackles the fiendishly difficult role of Christine in a 1974 performance from Glyndebourne.
Verdi’s ninth opera, Attila, offers all the noisy music from Nabucco without a “Va pensiero” to cherish.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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