Next Wednesday is the composer’s 337th birthday, so Trove Thursday previews this spring’s most enticing Handel performance with two very different live versions of his delightful Serse,.
On this day in 1959 soprano Leonie Rysanek made her Metropolitan Opera debut as Lady Macbeth.
Don Carlos is my favorite Verdi opera, and I’m always in favor of including the most music. But it can be a dizzying task to keep track of all the options.
Today is Mozart’s 266th birthday and I had already planned a Trove Thursday celebration when I learned that Maria Ewing had died on January 9.
In the last weeks of January, as the Metropolitan Opera season wound to a close (prior to the winter hiatus) two striking sopranos were thrust into the limelight.
Teresa Zylis-Gara died in late August at 91 and Trove Thursday offers the Polish soprano in a wide-ranging collection of live material showcasing her great versatility.
Trove Thursday offers a nearly forgotten 19th century opera with a most marvelous name: Le Roi d’Ys by Éduoard Lalo featuring a superb French cast led by Alain Vanzo, Andrea Guiot, Jane Rhodes and Robert Massard.
Despite having lost its announced Cherubino, conductor and Count (the latter in the midst of rehearsals), the season premiere of Le Nozze di Figaro Saturday afternoon proved to be one of the most enjoyable Met Mozart performances I’ve attended in ages.
At the heart of this success was Quinn Kelsey’s revelatory take on Rigoletto. He was matched, vocally and dramatically, by Rosa Feola’s Gilda—a tour-de-force performance.
A nonstop flow of COVID related announcements from New York City performing arts organizations has swept the city the past weeks.
Un ballo in maschera—but instead of a tragedy, an opera buffa—and in Danish?
The Met’s Cinderella is a charming adaptation of Massenet’s opera. Frothy, fun, and enchanting, it is a magical holiday treat for the whole family to enjoy.
A good time seemed to be had by all though I don’t recall seeing a single child in attendance.
Since my previous CD round-up review the onslaught of solo recital disks of 18th century (and sometimes also 17th) vocal music has continued unabated.
My sister Julie celebrates an important birthday later this month which reminded me—as I also recalled I visiting her while she was living in Prague—that I should unearth Bohuslav Martin?’s Julietta with Lucia Popp and Dénes Gulyás for this week’s Trove Thursday.
The entire dinner was spent discussing conductors.
Sondra Radvanovsky was a force of nature as Tosca on Thursday night at the Met.
As one can see from the chronology published earlier this year, the American Opera Society, in addition to reviving a number of now familiar operas, introduced many singers who became important local figures; however, there were shooting-star exceptions like today’s Trove Thursday offering of d’Albert’s Tiefland featuring Angeles Gulin and Ion Buzea.
You know in some of those old Jeanette MacDonald movies where she plays a prima donna and receives applause in a public setting? That’s just what happened when the three of us walked into that restaurant, one patron calling out “Brava!”
Trove Thursday adds two short works—Goyescas and L’enfant et les sortilèges—to Christian’s expansive recent survey of Bernard Haitink’s opera legacy.
No, we don’t really need another “Orpheus” opera. Or, rather, we don’t need this one.
I proposed to Edita that we turn my 20-page paper into a book, a musical biography.
Teatro Grattacielo presented two visions of love’s magic on November 13 and 14—one via Spain and Argentina (in collaboration with Opera Hispánica) and the other via Alsace by way of Italy.
What is there to say about the Franco Zeffirelli Bohème? What is left to say?
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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