Edita Gruberova enters the 21st century Edita Gruberova enters the 21st century

The worst criticism perhaps was the gleeful Schadenfreude noting Edita’s voice wasn’t as under her command as it used to be.

No heather on the hill: ‘Lucia’ in LA No heather on the hill: ‘Lucia’ in LA

LA Opera sent out an email warning that the production “contains depictions of blood, violence, and drug use, as well as strobe lights and a gunshot effect in Act III.”

Classic example: ‘Antony’ at SFO Classic example: ‘Antony’ at SFO

Antony and Cleopatra was an auspicious start to San Francisco Opera’s second century, a performance that seems to improve as I continue to think about it.

Magnificent: Michael Spyres in recital Magnificent: Michael Spyres in recital

This tenor must be the finest classical singer in the world today.

NYCO, out(doors) and proud NYCO, out(doors) and proud

The New York City Opera has become an elusive “now you see it, now you don’t” presence in the New York opera scene since the departure of main sponsor and chairman of the board Roy G. Niederhoffer in 2019.

I had too much to dream last night I had too much to dream last night

Trove Thursday previews next week’s BBC Proms presentation of Elgar’s The Dream of Gerontius with a 2008 broadcast conducted by Colin Davis with Sarah Connolly, Ben Heppner and Gerald Finley.

Sweet home Ithaca Sweet home Ithaca

Monteverdi’s late Homeric masterpiece Il Ritorno d’Ulisse in Patria isn’t often performed in the United States.

Nothing to sneeze at Nothing to sneeze at

This week’s Trove Thursday—Kodály’s Háry János in a 1955 RAI broadcast in Italian led by famed Hungarian conductor Ferenc Fricsay—may be a bit brief as C-19 finally arrived last week chez CC.

Behold the happy pair Behold the happy pair

Beverly Sills and Renée Fleming perform 30 years apart the same work with the same orchestra in the same venue!

Angry young men Angry young men

Since April four wildly varied incarnations of Hamlet have been haunting New York City theaters; the most recent to arrive was Robert Icke’s chicly contemporary take on Shakespeare’s play which opened last week at the Park Avenue Armory.

The Verdi thing The Verdi thing

On Thursday June 30th, San Francisco Opera closed their summer season with a one-night-only special concert celebrating Eun Sun Kim’s first season as the Caroline H. Hume Music Director, in an aptly named concert “Eun Sun Kim Conducts Verdi.”

A real vibrancy A real vibrancy

Your favorite box set-aholic here completely missed the release last August of Giuseppe Di Stefano – Complete Decca Recordings in honor of the great tenor’s centenary.

Consistently enthralling Consistently enthralling

To conclude its triumphant season, last week the Met Orchestra performed its annual Carnegie Hall concerts under music director Yannick Nézet-Séguin and once again performed superbly.

Romeo and Gilda Romeo and Gilda

The winners of the evening were the composer Riccardo Zandonai and Teatro Grattacielo which pulled off a near-impossible feat with success.

Queen’s evidence Queen’s evidence

Trove Thursday’s belated contribution to last weekend’s Platinum Jubilee is a broadcast from Aldeburgh of Benjamin Britten’s Gloriana with Christine Brewer and Tom Randle as Elizabeth and Essex, an opera which premiered 69 years ago yesterday.

Those monsters look like us Those monsters look like us

“This used to be a funhouse… but now it’s full of evil clowns / It’s time to start the countdown…. I’m gonna burn it down”

Ghost of honor Ghost of honor

The elusive La dame blanche returned for one evening to New York City on May 28 thanks to the New Amsterdam Opera led by maestro Keith Chambers.

Varying the song Varying the song

The opera The Rake’s Progress, as many people know already, was inspired by a series of engravings and paintings of the same name by William Hogarth, showing the decline of a young man into depravity and insanity.

Give Paris one more chance Give Paris one more chance

Pavarotti and Freni are gone but the Franco Zeffirelli Bohème remains. 

Reminiscences of Mozart Reminiscences of Mozart

The great Spanish mezzo soprano Teresa Berganza died on May 13 at the age of 89, so Trove Thursday salutes one of its favorites with a pair of dazzling rare live Mozart performances.

Reviving a pharaoh Reviving a pharaoh

The Met brought back 2019 smash Akhnaten last night, with nearly the exact same cast and creative team, and with nearly the same knockout effect of three years ago.

The Multiverse of Morley The Multiverse of Morley

A Trove Thursday Mega-Post © featuring the wonderful American soprano Erin Morley in Orff’s Carmina Burana and Richard Strauss’s Brentano Lieder, plus extended live excerpts from Handel’s Orlando, Mozart’s Die Entführung aus dem Serail, and Meyerbeer’s Les Huguenots.

Resisting the recognizable Resisting the recognizable

It was Matthew Jocelyn’s libretto, with its disorientingly deconstructive approach to its source text, that gave Brett Dean’s Hamlet its identity.

Rachel, Rachel Rachel, Rachel

It’s nice to see Sony Classical backing a serious operatic soprano and not some crossover refugee from Britain’s Got Talent or another syrupy Christmas album from the world’s reigning Heldentenor.