Medieval Times
Carl Orff’s cantata tries its fortunes at the Lyric Opera of Chicago.
Carl Orff’s cantata tries its fortunes at the Lyric Opera of Chicago.
I never thought an opera production could be this well done.
Les Camilles both agree on this one. And WHY? You ask??!
A new recording of La fiamma from Deutsche Oper Berlin sets Respighi’s score ablaze.
Austin Opera’s 40th anniversary gala celebrated the present while gesturing boldly towards the future.
Pittsburgh Opera’s Fellow Travelers delivers a timely story with detail and care.
Jeanine Tesori’s Blue is an ambitious and worthy opera that deserves a better presentation than it got at Lincoln Center on Saturday.
Barbara Hannigan‘s Lulu is the greatest live performance I’ve seen.
“Protect the dolls, they say, but who really cares for them?” This question, posed by performer Mara Snip during the postlude of Neuköllner Oper’s 1000 Airplanes on the Roof, had a clear answer: Aliens.
Grand Tier Grab Bag looks forward to a big week for Umberto Giordano by sharing Sondra Radvanovsky and Gregory Kunde performing the final duet from Andrea Chénier.
Michael Thalmeier‘s Tristan und Isolde in Berlin asks, how much minimalism is too much minimalism?
Who are the rats? Why are their tails getting longer? Is Lohengrin a rat trying to free himself from a maze?
As my friend and I Ubered out to the luxurious Cobb Energy Centre for Atlanta Opera’s La traviata, I had trains on the mind.
James Gaffigan, the incoming Music Director of Houston Grand Opera, strikes a balance between New World precision and Old World flair in repertoire, staging, and wine
At every turn, the preconceived notion of Trovatore was denied, right down to the boxing during the ballet.
Only the singers, led by Benjamin Bernheim, can salvage a dismal La Damnation de Faust at the Théâtre des Champs Elysées.
Ursula Sturgeon looks at the furry opera company HowlAria and discovers that maybe one man’s Callas recording collection is another man’s fursuit.
With Cesare’s old-school rules of war set spinning by Cleopatra’s Bollywood-inspired manipulations, a Da Capo aria has never felt more dangerous
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