Recent Stories
It began with charming modesty.
The Greatest Thing Ever (AKA Lisette Oropesa) in a stunning mad scene from Lucia di Lammermoor with the excellent Artur Rucinski and Roberto Tagliavini in an extremely effective production by David Alden at the Teatro Real in Madrid.
For me, Donizetti’s operas are all about the mad scenes.
A broadcast from 1975 celebrates 50 years since the Met debut of Beverly Sills
Late Callas singing Maria from “Figlia del Reggimento” a role she wisely never attempted on stage.
parterre box offers a Good Friday pick-me-up: elusive chanteuse Juliana Grigoryan in perhaps her most canceled role, the soprano soloist in Verdi’s Requiem
Don Carlos returns to the Opéra National de Paris and it’s an unusually happy occasion
Grand Tier Grab Bag
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Otherwise occupied
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Who knew that rehearing a performance you believed had become nothing more than a cherished memory would have such healing properties during a time of bereavement?
Jessica Pratt sings the title role in a live broadcast from Trieste
It may be blasphemy to admit—particularly this month—but usually I can either take or leave Donizetti’s serious operas. However, I love the composer in comic mode, so Chris’s Cache runs with that sentiment in offering three recordings of Don Pasquale.
The ham in this pandemic-era let’s-put-on-a-show Elisir duet (from the Met at Home broadcast) may make the performance more sooey than sui generis. But I find it irresistible.
Missy Mazzoli has established herself as one of contemporary opera’s most skilled and subtle architects of emotional response, and her latest, The Listeners—now at the Lyric Opera of Chicago—is no exception.
Well, it’s a clip from Mary Zimmermann‘s production of Lucia di Lammermoor… wait, wait, come back!
The nail-biting adventures of Voltaire’s titular hero Candide are hardly more circuitous than those faced by Leonard Bernstein’s 1956 Broadway musical adaptation.
The German Heldentenor died yesterday at his home in Austria.
Talk of the Town
A favorite art song performance from Erika Baikoff
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
A favorite art song performance from Last Castrato
Rosa Ponselle is the singer who had it all.
Rosa Ponselle is the singer who had it all.
A favorite art song performance from Armerjacquino
“Du bist die ruh” was one of the first art songs I ever knew.
“Du bist die ruh” was one of the first art songs I ever knew.
A favorite art song performance from Emma Hoffman
Respighi‘s liriche can be as colorful, poetic, and downright lovely as any selection from other art song traditions. Case in point: Rosa Feola‘s recording of the first song from Quattro rispetti toscani.
Respighi‘s liriche can be as colorful, poetic, and downright lovely as any selection from other art song traditions. Case in point: Rosa Feola‘s recording of the first song from Quattro rispetti toscani.
Two favorite art song performances from Julia Bullock
This task feels near impossible, as I listen to a LOT of art song singers on repeat, across decades and continents (from piano to orchestral works) — mostly for pleasure, but also for study.
This task feels near impossible, as I listen to a LOT of art song singers on repeat, across decades and continents (from piano to orchestral works) — mostly for pleasure, but also for study.
A favorite art song performance from CKurwenal
I listen to about as much art song as I do opera and could have filled every day of April with favorite selections.
I listen to about as much art song as I do opera and could have filled every day of April with favorite selections.