Recent Stories
John Yohalem reports on Catapult Opera’s satiating San Giovanni Battista
A live video broadcast from Vienna
Alex Ross wrote an exciting, gorgeously detailed examination of, for better or worse, Ricky’s far reaching influence on music, theatre, architecture, film, literature, mental illness, Satanism, Homosexuality, and rough sex.
Opera Director and Detroit Opera Artistic Director Yuval Sharon begins his recent book A New Philosophy of Opera by imagining a future – some forty to fifty years from now – in which opera ceases to exist as an art form.
Vishnevskaya writes rather as she sings.
Antonio Pappano leads a performance recorded in London last month
Asmik Grigorian pulls a hat trick in Puccini‘s triple bill recorded (and reviewed) last month in Paris
With tenth anniversary productions of Fellow Travelers, the heart wrenching gay romance opera by composer Gregory Spears and librettist Greg Pierce, due to grace several major U.S. companies next season, what better way to commemorate Pride Month than by reading Thomas Mallon’s 2007 historical novel on which it’s based?
Grand Tier Grab Bag
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Two women singing an operatic love duet is virtually an everyday occurrence, but two men? Not so much.
Julian Budden‘s masterful, three-volume analysis of the entire Verdi oeuvre is fascinating reading.
Contrasting approaches to Regie duke it out in Cavalleria rusticana & Pagliacci and Rusalka in Munich
Krzysztof Warlikowski‘s Der Rosenkavalier at the Théâtre des Champs Elysées surpasses even Nigel Wilkinson‘s high ‘WTF threshhold’
Although presented as an overview of the performance of Italian opera from the first half of the 19th century, Divas and Scholars is really an impassioned defense of musicology as a discipline and of Italian opera as a subject worthy of scholarly attention.
In a satanic panic, this week Chris’s Cache presents trio of performances of Mefistofele
Eli Jacobson on a luscious evening of early Strauss with Guntram at Carnegie Hall
Talk of the Town
Anna Caterina Antonacci should have made it to the Met
The one who got away was Anna Caterina Antonacci, a thrilling performer.
The one who got away was Anna Caterina Antonacci, a thrilling performer.
Lina Bruna Rasa should have made it to the Met
In the case of Lina Bruna Rasa, the reasons why she never sang at the Met are painfully clear.
In the case of Lina Bruna Rasa, the reasons why she never sang at the Met are painfully clear.
Conchita Supervia should have made it to the Met
For vibrato fanciers, of course, discovering Supervia is like hitting the mother lode.
For vibrato fanciers, of course, discovering Supervia is like hitting the mother lode.
Gertrud Grob-Prandl should have made it to the Met
Yes, the Met had Birgit Nilsson – so they let the volcano that was Gertrude Grob-Prandl‘s voice slip through their fingers.
Yes, the Met had Birgit Nilsson – so they let the volcano that was Gertrude Grob-Prandl‘s voice slip through their fingers.
Eglise Gutierrez should have made it to the Met
So much color in this beautifully agile voice.
So much color in this beautifully agile voice.
Mado Robin should have made it to the Met
I like to use this recording to annoy Mariah Carey fans by proving that whistle register doesn’t count.
I like to use this recording to annoy Mariah Carey fans by proving that whistle register doesn’t count.
If you love the astonishing vocal works of J. S. Bach, John Eliott Gardiner’s 2013 book is a deeply rewarding read.
Francesco Filidei’s new opera The Name of the Rose struggles to bridge the past and the present in Milan
A plodding La bohème in San Francisco never quite takes off
A fascinating autobiography that delivers both on the diva anecdotes and on intelligent artistic observations about the singer’s life.
Perhaps the conversation about Rigoletto and disability isn’t limited to physical appearance. What if we broaden the scope of what disability in this opera might look like?
Fascinating account of the role of musical theater in an uneasy context of art emerging from the conflict and resolutions of high culture and popular sentimentality in an era where elites were challenged by political instability.
The final Saturday Matinee Broadcast of the 2024-25 season, live from New York
Man, I tried so hard to get this commissioned as a radio drama, because I want everyone to know what a ride this book is.
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