Le nozze di Figaro
A performance recorded earlier this summer at The Santa Fe Opera
A performance recorded earlier this summer at The Santa Fe Opera
Peter Sellars‘s triple bill of Viennese modernism featuring Erwartung and a concert performance of The Raft of the Medusa stare down death at the Salzburg Festival
I went to hear Eileen Farrell conducted by Leonard Bernstein at the Philharmonic in 1970.
Trouble in Tahiti and A Quiet Place in a performance recorded last fall in London
I suppose Der fliegende Holländer is my favorite Wagner opera — a riveting masterpiece from start to finish, dramatically and musically.
A recent review of Olga Maslova as Aïda is as good a reason as any to share a clip of her fascinating Turandot
Lisette Oropesa and Kate Lindsey star in a live video broadcast from Salzburg
Sherrill Milnes sits down with Brendan Latimer to talk about his life, career, and what he hopes to pass along to the next generation
Eleanor Steber and Wolfgang Windgassen in the Act III bridal chamber scene of Lohengrin.
A performance recorded earlier today at the Bayreuth Festival
The groundbreaking director and designer of works like Einstein on the Beach died earlier today at his home in Water Mill, New York
Claus Guth mines urgent and contemporary commentary from Die Liebe der Danae in Munich.
This Bard production, led by Leon Botstein, makes the strongest possible case musically, dramatically and visually for Smetana’s opera Dalibor.
Mady Mesplé’s voice has, sadly, become an acquired taste.
The final installment of the 2025 Ring from Bayreuth
A revival of the furious I masnadieri at the Bayerische Staatsoper falls short of perfection – and there’s nothing wrong with that.
Mexican soprano Gilda Cruz-Romo died on 28 June at the age of 85 and Chris’s Cache remembers her with live recordings of a frequent role and a rather rare one: a last-minute Met Tosca plus perhaps her only stab at the Cherubini Medea.
A performance recorded earlier today at the Bayreuth Festival
I never got to hear Silja in person, and I suspect I should have for me to even begin to appreciate her.
Pénélope at the Bayerische Staatsoper’s summer festival spotlights the crossroads between the nostalgic and the progressive.
Matthias Davids‘s reactionary new production of Die Meistersinger von Nürnberg might be fun, but no one comes to Bayreuth for fun.
This clip is a strong case for leaving non-operatic music alone.
The third installment of the 2025 Ring from Bayreuth
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.