Nothing makes me feel better than the 1966 Salzburg Festival Nozze
This performance truly “never fails to lift my mood.”
This performance truly “never fails to lift my mood.”
A Missa Solemnis to celebrate 125 years of Boston’s Symphony Hall was sophisticated and subdued.
Der Rosenkavalier is a three-hour meditation on nostalgia. What could be better to bathe in?
The timing for Boston Lyric Opera’s production of Macbeth this weekend was perfect for Halloween, though the show itself at the Emerson Colonial Theatre was decidedly less spooky.
Parterre Box features an exclusive sample of Lawrence Brownlee‘s jump-in performance in La sonnambula from this weekend
‘Comfort opera.’ Hmm… I had to give this one some thought.
I have listened to this clip on the way to every first date I’ve ever been on.
Mere days remain to contribute to The Talk of the Town for the rest of the year!
The opera is life affirming, but also recognizes that life comes to an end.
Today’s Grand Tier Grab Bag features Chiara Isotton and Joyce El-Khoury as two murderous mommies in the final scene of Cherubini‘s Medea (and Medée)
My comfort opera is Elektra. Yes, you read correctly, Elektra.
The old Nilsson/Corelli radio checks from the 1960s are a reminder that what this opera needs are VOICES.
A new production of La sonnambula at the Metropolitan Opera is musically charming if dramatically confounding.
Jonas Kaufmann has a new lieder album called Doppelgänger, but the contents of the album vary depending on how you purchase it.
Other queens have been richer of voice or more dramatically compelling, but none I have ever heard succeeds in sounding something other than human.
Macbeth at the Festival Verdi in Parma aims big — on a small scale
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