Now, voyager
The miracle workers at Boston Modern Orchestra Project and Odyssey Opera have published another premiere recording of a work that I’ve long heard of but never heard: Dominick Argento’s The Voyage of Edgar Allan Poe.
The miracle workers at Boston Modern Orchestra Project and Odyssey Opera have published another premiere recording of a work that I’ve long heard of but never heard: Dominick Argento’s The Voyage of Edgar Allan Poe.
Opera Philadelphia’s Il viaggio a Reims in a nutshell: Hyperactive, confusing, and distracting from (and sometimes for) the singers? Yes. Imaginative, wildly entertaining, and musically rewarding? Absolutely.
Maggio Musicale Fiorentino presents John Adams’s The Death of Klinghoffer next May.
Wolf Trap Opera concluded its 2025 summer season last month with a production of Carmen that was vocally strong, though not entirely dramatically satisfying, amid challenging weather.
Anna Pirozzi and Luca Salsi reunite in blazing form in Tosca at the Teatro San Carlo
Palm Beach Opera has listed its 3 operas for next year — La bohème, The Pearl Fishers, and Rigoletto — but has not listed any casting yet!
If you haven’t yet sounded off for this fall’s The Talk of the Town, what on earth are you waiting for?
Corinne Winters will take on a trio of roles in Puccini’s Trittico in Houston.
I am looking forward to seeing The Greatest Thing Ever as Gounod‘s Juliette, a role I have never seen her in, at the Berlin Staatsoper on 6 November.
I am pretty excited to add coverage of nearby performances while I am getting settled here in Southern California.
Anticipating a busy season for both, Parterre Box features married couple Angela Meade and John Matthew Myers trading soaring Strauss lines in a duet from Die Liebe der Danae.
The 25th anniversary revival of Dead Man Walking at San Francisco Opera is most moving in its quietest moments
Thank you, Leon Botstein, for giving us a chance to hear the Berlioz adaptation of Der Freischütz (or Freyschütz).
In the pursuit of clowning, Anthony Roth Costanzo’s Galas may have lost sight of “the seriousness of the theme.”
My next production will be Aïda with the Israel Philharmonic conducted by Zubin Mehta.
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