The 500 Fingers of Dr. H
Surely you agree that piano concerti are inherently political.
Surely you agree that piano concerti are inherently political.
A pair of Otellos – in Madrid and Parma – is a study in contrasts.
Suck it, Joseph Kerman: Puccini’s “Shabby Little Shocker” has outlived you and will probably bury us all.
Kevin Ng sits down with PEN/Faulkner Award-winning novelist and critic Garth Greenwell to talk about sex, queerness, and the “promise of opera.”
From an early age I knew I should have been French.
West Side Story opened LA Opera’s 40th anniversary season with fury and flair
Today’s Grand Tier Grab Bag features a snippet from Carolina López Moreno and Antonio Pappano‘s recent Rondine in London.
The Amazing Adventures of Kavalier & Clay was, somehow, a fun night at the opera—just not one that felt specifically operatic.
We will have two Bellinis in new productions, with the best possible casts that can be assembled.
Messiah remains ubiquitous, but several of Handel’s other superb English oratorios will be given enticing performances during the 2025-26 season.
Today’s Grand Tier Grab Bag offers Raehann Bryce-Davis in Marina’s aria from a broadcast of Boris conducted by Vasily Petrenko.
Next season I am looking forward to performances of Andrea Chénier at the Met.
When Angela Meade and Michael Fabiano first sang Lucia together as students at AVA few would have predicted that they would go on to sing Turandot 16 years later.
Carmen Paddock looks at contemporary opera’s prestige literary turn and what it takes for operas adopted from novels to last.
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