Next season I’m excited for Innocence
Kaija Saariaho’s gifts for vocal and instrumental writing and the uncanniness of the themes she musicalized resonate with unforced power
Kaija Saariaho’s gifts for vocal and instrumental writing and the uncanniness of the themes she musicalized resonate with unforced power
Nobody emotes like Joyce DiDonato, and this week Parterre Box spotlights her new recording of Dido and Aeneas with a look at a recent live performance in the part.
For our first review in a new series, we turn to the new recording of Dido and Aeneas featuring Joyce DiDonato, Michael Spyres and Maxim Emelyanychev leading Il Pomo d’Oro.
Adela Zaharia and Amartuvshin Enkhbat shine brightly in San Francisco Opera’s opening night Rigoletto.
De Materie (1989) by Louis Andriessen is unsuitable for home listening, so I’m really looking forward to hearing the great Asko|Schönberg ensemble perform it live in Rotterdam next season.
Celebrate today the tenth anniversary of curated Parterre Box podcasts and the winding down of Chris’s Cache with two special Met guest performances of Mozart’s Le nozze di Figaro led by Carlo Maria Giulini and Georg Solti.
‘Expect nothing and you’ll never be disappointed.’
Restrictions encourage creative staging, for which the Berkshire Opera Festival is renowned.
One of the most exciting things in prospect next season is Lise Davidsen‘s role debut as Isolde, to take place in Barcelona in January.
The announcement that the increasingly Trump-annexed Kennedy Center would be presenting Robert Ward‘s The Crucible seemed too on-the-nose to be true.
Chris’s Cache celebrates Karita Mattila, one of its favorite singers, in a special double-bill featuring the soprano performing Janáček, one of her signature composers.
The moral stench seeps through Peter Gelb‘s decision to partner with the Saudi government, but what new sources of funding for the Met don’t have red flags?
Barrie Kosky directs Lady Macbeth of the Mtsensk District. Sickos: “Yes… ha ha ha YES!”
This week, Parterre Box features summer Einspringerin Marigona Qerkezi in some different Verdi fare.
In a world of guilty pleasures, Arabella is mine.
I’d love to have a better answer than ‘movie star directs opera’, but I’m curious to see what Ralph Fiennes does with Eugene Onegin in Paris.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.