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Breaking the Waves and Tannhaüser at Houston Grand Opera are a can’t-miss doubleheader of sex and miracles.
This early performance of Anna Bolena’s final scene is just one of the most poised and magical pieces of bel canto singing I’ve ever heard. It must have been extraordinary to hear her at the outset of her career.
parterre box is very sad to learn of the passing of beloved writer Patrick Mack in Los Angeles yesterday.
The long-awaited Broadway musical adaptation of the NBC series Smash is “not Bombshell – it’s just a bomb,” according to David Fox and Cameron Kelsall.
Matthew Travisano takes on Mimì’s Act III aria from La bohème — not that one, the other one — in the latest installment of the “Perspectives on an Aria” series
Pavarotti in his prime – He makes this so-familiar aria new and glowing.
A live broadcast from Milan of the world premiere of Francesco Filidei’s opera based on Umberto Eco‘s novel
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
Landing the plane
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Grand Tier Grab Bag
Le galant tireur
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
Grand Tier Grab Bag
My 600 performance life
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Grand Tier Grab Bag
Life imitates art
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Grand Tier Grab Bag
Drink me
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Grand Tier Grab Bag
Otherwise occupied
Otherwise occupied
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Sigh! I think most of you realized I would pick this one. Got that “Donizetti and Bellini Heroines” from the Record Club of America when I was in my teens and playing it to death.
A live broadcast from New York
A performance recorded earlier this month at the Salzburg Easter Festival.
This to me is everything that makes Donizetti the great dramatist of the bel canto era.
A feast of whimsy for the recently resurrected in Aaron Siegel’s new opera, Rainbird
When a revival of Handel‘s Ariodante in Boston coincides with the HD relay of the Met’s current revival of Le nozze di Figaro, parterre box can’t help but share a bit of Olga Kulchynska, the Met’s Susanna, singing the florid “Volate amori.”
The brave and beautiful Maartje Offers – best known from the potted Ring – lends her charismatic voice to Donizetti here.
Chris’s Cache highlights the erstwhile Chicago Symphony Orchestra @ Carnegie series with not one but two starry operas conducted by Georg Solti: Salome with Birgit Nilsson and a performance of Moses und Aron
Talk of the Town
The Talk of the Town
A favorite art song performance from Erika Baikoff
A favorite art song performance from Erika Baikoff
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
The Talk of the Town
A favorite art song performance from Last Castrato
A favorite art song performance from Last Castrato
Rosa Ponselle is the singer who had it all.
Rosa Ponselle is the singer who had it all.
The Talk of the Town
A favorite art song performance from Armerjacquino
A favorite art song performance from Armerjacquino
“Du bist die ruh” was one of the first art songs I ever knew.
“Du bist die ruh” was one of the first art songs I ever knew.
The Talk of the Town
A favorite art song performance from Emma Hoffman
A favorite art song performance from Emma Hoffman
Respighi‘s liriche can be as colorful, poetic, and downright lovely as any selection from other art song traditions. Case in point: Rosa Feola‘s recording of the first song from Quattro rispetti toscani.
Respighi‘s liriche can be as colorful, poetic, and downright lovely as any selection from other art song traditions. Case in point: Rosa Feola‘s recording of the first song from Quattro rispetti toscani.
The Talk of the Town
Two favorite art song performances from Julia Bullock
Two favorite art song performances from Julia Bullock
This task feels near impossible, as I listen to a LOT of art song singers on repeat, across decades and continents (from piano to orchestral works) — mostly for pleasure, but also for study.
This task feels near impossible, as I listen to a LOT of art song singers on repeat, across decades and continents (from piano to orchestral works) — mostly for pleasure, but also for study.
The Talk of the Town
A favorite art song performance from CKurwenal
A favorite art song performance from CKurwenal
I listen to about as much art song as I do opera and could have filled every day of April with favorite selections.
I listen to about as much art song as I do opera and could have filled every day of April with favorite selections.
Maybe this is an obvious choice, but this is the sort of performance that every opera queen dreams of attending: an unknown work being performed by a cast of largely unknown singers.
“Strauss makes me feel loved and like I am part of a world that is supernatural and extremely special,” says Elza van den Heever, the Met’s upcoming Salome, in a new feature at the Observer by parterre‘s very own Christopher Corwin.
A live broadcast from New York
Corinne Winters dons the habit in a live broadcast of a unique double bill from Rome
Félix Fourdrain‘s “féerie” Les Contes de Perrault by the Frivolités Parisiennes is as fun for adults as it is for children
Donizetti’s never been a desert island composer of mine, but he comes close when I hear Edita Gruberova in her prime.
By the time the curtain rose on Verdi’s Luisa Miller last Sunday in Washington Concert Opera’s final show of the season, the originally announced line-up was about as accurate as a federal agency org chart from February.
Assuming someone else will pick Leyla Gencer‘s legendary “Vil bastarda”, I’ll go with another clip featuring robust audience participation.