Get in the zone
Tamara Wilson and Stanislas de Barbeyrac are the standouts in Calixto Bieito’s underwhelming Die Walküre in Paris
Tamara Wilson and Stanislas de Barbeyrac are the standouts in Calixto Bieito’s underwhelming Die Walküre in Paris
“O Divine Redeemer” is, I suppose, more properly an Advent or Lenten piece. But when Renata Tebaldi asks us to hear her “croy”, who can resist?
MasterVoices presents a strongly-cast Sweet Smell of Success—but the merits of this noir musical are hardly black or white.
Composer Philip Venables talks about queer utopias and bending gender and genre in The Faggots and Their Friends Between Revolutions which opens at the Park Avenue Armory this week.
Anna Moffo, in glorious voice and looking gorgeous as usual, sings “O Holy Night,” one of my favorite Christmas tunes.
I love Tabori—his staging of Bluebeard’s Castle and Erwartung are among my five favorite opera performances of all time.
Barbara Strozzi links two sensuous programs by L’Arpeggiata and Catapult Opera.
Are today’s stars enough to sustain Andrea Chénier?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Ha ha ha, so gorgeous!
The Monkey King at San Francisco Opera combines spectacle and sentiment.
Grand Tier Grab Bag features a complete performance of Ernest Chausson‘s Poème de l’amour et de la mer ahead of a particular year for both its soloist and conductor.
The production is based on the Elisabeth Fritzl story, and it really made me reconsider this opera’s fairy tale storyline.
Vincent Lombardo pays poetic tribute to the 60-year-long career of Robert Wilson.
As Messiah season begins, Christopher Corwin reports on two of Handel’s forays into the Old Testament.
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