Recent Stories
Chris’s Cache marks the arrival of Printemps in its many guises with three beguilingly cast performances of operas by Rimsky-Korsakov, Massenet, and Saint-Saëns
While Godfather III is definitely the weakest movie in the eponymous trilogy, partly due to a miscasting of Mary Corleone, I have nothing but praise for the wonderful, almost inspirational use of Cavalleria Rusticana in the finale of the movie.
The Met’s mostly successful revivals of The Queen of Spades and La bohème showcase the returns of Sonya Yoncheva and Corinne Winters
The Met doesn’t have the monopoly on Salome this spring — look no further than Catapult Opera’s San Giovanni Battista which opens in Brooklyn next month.
Henze‘s opera in a live broadcast from the Maggio Musicale Fiorentino
The Talented Mr. Ripley x Eugene Onegin.
Rachel Willis-Sorensen is the winner of the 2025 Beverly Sills Award, per the Met press office
An innovative score and fluid production by Denyce Graves-Montgomery are highlights of Virginia Opera’s production of Loving v. Virginia
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Otherwise occupied
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Seven Deadly Sins, Mahagonny Singspiel, and The Songs of Happy End live from Milan
Cameron Kelsall reports on a transcendent Jenufa from the Cleveland Orchestra
Wagner is used as incidental music or background to probably more films than any other operatic composer.
The (R)evolution of Steve Jobs at the Kennedy Center: not a poorly made opera, but so relentlessly mid.
Asmik Grigorian’s scorching turn in Il trittico in Paris has Nigel Wilkinson wondering, ‘what is it that makes Americans so weepy?’
Some of you may remember the 1987 thriller Someone to Watch Over Me.
Lydia Steier‘s production in a live video stream from Vienna
Interrupted Melody was the wonderful biographical film about the singer Marjorie Lawrence. I thought it was a wonderful blending of opera with a 1950s Movie.
Talk of the Town
A favorite art song performance from Peter
A very haunting Hugo Wolf song sung exquisitely here by Arleen Auger.
A very haunting Hugo Wolf song sung exquisitely here by Arleen Auger.
A favorite art song performance from TildyDiva
I had heard the renowned Dutch soprano on recordings and was an admirer of hers. I was unprepared, however, for such a truly memorable evening.
I had heard the renowned Dutch soprano on recordings and was an admirer of hers. I was unprepared, however, for such a truly memorable evening.
A favorite art song performance from Lou Ann Darras
Thanks to Elly Ameling, I made it through college.
Thanks to Elly Ameling, I made it through college.
A favorite art song performance by Harry Rose
What a shaded and elegant delivery William Mattteuzzi brings to this lilting setting of D’Annunzio‘s “O falce di luna calante”!
What a shaded and elegant delivery William Mattteuzzi brings to this lilting setting of D’Annunzio‘s “O falce di luna calante”!
A favorite art song performance from David Phillips
Does this count as an art song?
Does this count as an art song?
A favorite art song performance from Mr. Portafiori
I have always loved this recording of Canteloube‘s Chants d’Auvergne sung by Dawn Upshaw and conducted by Kent Nagano.
I have always loved this recording of Canteloube‘s Chants d’Auvergne sung by Dawn Upshaw and conducted by Kent Nagano.
Rolando Villazon stars in a performance of Monteverdi‘s opera from Salzburg’s Mozartwoche recorded in January
John Adams‘s newest opera in a live broadcast from New York
Tristan transcriptions for violin, piano, and orchestra.
A live broadcast from New York
George Benjamin‘s opera live from the Accademia Nazionale di Santa Cecilia in Rome
Antony and Cleopatra is perhaps not the showcase Elizabeth DeShong deserves, so Grand Tier Grab Bag highlights the superlative mezzo in two clips
Jeanette MacDonald singing in her movies got the ball rolling for my lifelong interest in opera.
Ahead of her return to the Met, soprano Corinne Winters chats with Kevin Ng about her repertoire, overcoming biases about her voice type, and how she plans to play “energetic, young women” as long as she can.
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