Voices of spring Voices of spring

Chris’s Cache marks the arrival of Printemps in its many guises with three beguilingly cast performances of operas by Rimsky-Korsakov, Massenet, and Saint-Saëns

Leyla Gender-Bender says you <em>must</em> watch <em>Godfather III</em> Leyla Gender-Bender says you <em>must</em> watch <em>Godfather III</em>

While Godfather III is definitely the weakest movie in the eponymous trilogy, partly due to a miscasting of Mary Corleone, I have nothing but praise for the wonderful, almost inspirational use of Cavalleria Rusticana in the finale of the movie.

Many happy returns Many happy returns

The Met’s mostly successful revivals of The Queen of Spades and La bohème showcase the returns of Sonya Yoncheva and Corinne Winters

The Bible meets Edward Albee The Bible meets Edward Albee

The Met doesn’t have the monopoly on Salome this spring — look no further than Catapult Opera’s San Giovanni Battista which opens in Brooklyn next month.

Der junge Lord Der junge Lord

Henze‘s opera in a live broadcast from the Maggio Musicale Fiorentino

Carmen Paddock says you <em>must</em> watch <em>The Talented Mr. Ripley</em> Carmen Paddock says you <em>must</em> watch <em>The Talented Mr. Ripley</em>

The Talented Mr. Ripley x Eugene Onegin.

Entrance of the Willis Entrance of the Willis

Rachel Willis-Sorensen is the winner of the 2025 Beverly Sills Award, per the Met press office

Virginia is for lovers Virginia is for lovers

An innovative score and fluid production by Denyce Graves-Montgomery are highlights of Virginia Opera’s production of Loving v. Virginia

Weill Triptych Weill Triptych

Seven Deadly Sins, Mahagonny Singspiel, and The Songs of Happy End live from Milan

Reconcilable differences Reconcilable differences

Cameron Kelsall reports on a transcendent Jenufa from the Cleveland Orchestra

John Yohalem says you <em>must</em> watch <em>Something for Everyone</em> John Yohalem says you <em>must</em> watch <em>Something for Everyone</em>

Wagner is used as incidental music or background to probably more films than any other operatic composer.

The revolution will be digitized The revolution will be digitized

The (R)evolution of Steve Jobs at the Kennedy Center: not a poorly made opera, but so relentlessly mid.

Three ages of woman Three ages of woman

Asmik Grigorian’s scorching turn in Il trittico in Paris has Nigel Wilkinson wondering, ‘what is it that makes Americans so weepy?’

James Grant says you <em>must</em> watch <em>Someone to Watch Over Me</em> James Grant says you <em>must</em> watch <em>Someone to Watch Over Me</em>

Some of you may remember the 1987 thriller Someone to Watch Over Me.

Tannhäuser Tannhäuser

Lydia Steier‘s production in a live video stream from Vienna

Mr. Portafiori says you <em>must</em> watch <em>Interrupted Melody</em> Mr. Portafiori says you <em>must</em> watch <em>Interrupted Melody</em>

Interrupted Melody was the wonderful biographical film about the singer Marjorie Lawrence. I thought it was a wonderful blending of opera with a 1950s Movie.

L’Orfeo L’Orfeo

Rolando Villazon stars in a performance of Monteverdi‘s opera from Salzburg’s Mozartwoche recorded in January

Antony and Cleopatra Antony and Cleopatra

John Adams‘s newest opera in a live broadcast from New York

Scott Grunow says you <em>must</em> watch <em>Humoresque</em> Scott Grunow says you <em>must</em> watch <em>Humoresque</em>

Tristan transcriptions for violin, piano, and orchestra.

The Queen of Spades The Queen of Spades

A live broadcast from New York

Written on Skin Written on Skin

George Benjamin‘s opera live from the Accademia Nazionale di Santa Cecilia in Rome

With noise and light With noise and light

Antony and Cleopatra is perhaps not the showcase Elizabeth DeShong deserves, so Grand Tier Grab Bag highlights the superlative mezzo in two clips

Niel Rishoi says you <em>must</em> watch <em>Maytime</em> Niel Rishoi says you <em>must</em> watch <em>Maytime</em>

Jeanette MacDonald singing in her movies got the ball rolling for my lifelong interest in opera.

Promising young women Promising young women

Ahead of her return to the Met, soprano Corinne Winters chats with Kevin Ng about her repertoire, overcoming biases about her voice type, and how she plans to play “energetic, young women” as long as she can.