Recent Stories
R.B. Schlather‘s shadowy production with Heartbeat Opera at the Williamstown Theatre Festival proves that Vanessa might be coming into its own at last
A live broadcast from the Rossini Opera Festival in Pesaro
This is one of my favorite operas, and visually and story telling-wise, you can’t beat this production.
One final appeal for you to share what most titillates you in the upcoming season for September’s The Talk of the Town
Grand Tier Grab Bag
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Tobias Kratzer‘s Das Rheingold in Munich kicks off a Ring for the post-secular age
In the midst of an eventful summer for the Arena di Verona, one important happening has flown under the radar: the return of Anita Rachvelishvili to her signature role of Carmen, of which Parterre Box features a sample of today
Valentin Schwarz‘s and Simone Young‘s Ring, in its final outing at Bayreuth, is dramaturgically messy and musically excellent.
Rita Gorr as Ortrud, Bayreuth, 1959, Cluytens.
Chris’s Cache previews the upcoming Bayreuth Baroque Festival with a rare recording of Cavalli’s Pompeo Magno
Iván Fischer leads an all-Hungarian team in a broadcast from the Proms
The superb 1958 Bayreuth Lohengrin, under the wonderful Cluytens.
The repertory company of Munich’s Gärtnerplatztheater brings sparkle to a goofy, summery L’elisir d’amore
Talk of the Town
Anna Caterina Antonacci should have made it to the Met
The one who got away was Anna Caterina Antonacci, a thrilling performer.
The one who got away was Anna Caterina Antonacci, a thrilling performer.
Lina Bruna Rasa should have made it to the Met
In the case of Lina Bruna Rasa, the reasons why she never sang at the Met are painfully clear.
In the case of Lina Bruna Rasa, the reasons why she never sang at the Met are painfully clear.
Conchita Supervia should have made it to the Met
For vibrato fanciers, of course, discovering Supervia is like hitting the mother lode.
For vibrato fanciers, of course, discovering Supervia is like hitting the mother lode.
Gertrud Grob-Prandl should have made it to the Met
Yes, the Met had Birgit Nilsson – so they let the volcano that was Gertrude Grob-Prandl‘s voice slip through their fingers.
Yes, the Met had Birgit Nilsson – so they let the volcano that was Gertrude Grob-Prandl‘s voice slip through their fingers.
Eglise Gutierrez should have made it to the Met
So much color in this beautifully agile voice.
So much color in this beautifully agile voice.
Mado Robin should have made it to the Met
I like to use this recording to annoy Mariah Carey fans by proving that whistle register doesn’t count.
I like to use this recording to annoy Mariah Carey fans by proving that whistle register doesn’t count.
This summer’s festival, taking place amid record high temperatures and in the wake of its artistic director, Pierre Audi, featured a disquietingly zeigeisty focus on sexual violence.
Recency bias is in full swing here, but Glyndebourne’s first ever staging of Parsifal – and my first Parsifal – takes top prize for me.
In Lohengrin, populism comes to an apocalyptic end on the Bavarian stage
A performance recorded earlier this summer at The Santa Fe Opera
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